Verfügbarkeit: The rhetoric of fiction

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Bibliographische Detailangaben
Titel:	The rhetoric of fiction
Person:	Booth, Wayne C. 1921-2005 Verfasser aut
Hauptverfasser:	Booth, Wayne C. 1921-2005 (VerfasserIn)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	Chicago Univ. of Chicago Press 1966
Ausgabe:	6. impr.
Schlagworte:	Erzähltheorie Poetik Roman Rhetorik Romantheorie Prosa Erzähltechnik Epik Englisch
Online-Zugang:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=004419645&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Beschreibung:	XIII, 455 S.

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Datensatz im Suchindex

DE-BY-UBR_call_number	60/EC 4620 B725
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DE-BY-UBR_location	UB Lesesaal Philosophicum 1: Allg. Literaturwissenschaft
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adam_text	CONTENTS PART I: ARTISTIC PURITY AND THE RHETORIC OF FICTION I TELLING AND SHOWING 3 AUTHORITATIVE TELLING IN EARLY NARRATION 3 TWO STORIES FROM THE DECAMERON 9 THE AUTHOR S MANY VOICES 16 II GENERAL RULES, I: TRUE NOVELS MUST BE REALISTIC 23 FROM JUSTIFIED REVOLT TO CRIPPLING DOGMA 23 FROM DIFFERENTIATED KINDS TO UNIVERSAL QUALITIES 29 GENERAL CRITERIA IN EARLIER PERIODS 33 THREE SOURCES OF GENERAL CRITERIA: THE WORK, THE AUTHOR, THE READER 37 INTENSITY OF REALISTIC ILLUSION 40 THE NOVEL AS UNMEDIATED REALITY 50 ON DISCRIMINATING AMONG REALISMS 53 THE ORDERING OF INTENSITIES 60 III GENERAL RULES, II: ALL AUTHORS SHOULD BE OBJECTIVE 67 NEUTRALITY AND THE AUTHOR S SECOND SELF 67 IMPARTIALITY AND UNFAIR EMPHASIS 77 IMPASSIBILITE 81 SUBJECTIVISM ENCOURAGED BY IMPERSONAL TECHNIQUES 83 IV GENERAL RULES, III: TRUE AIT IGNOIES THE AUDIENCE 89 TRUE ARTISTS WRITE ONLY FOR THEMSELVES 89 THEORIES OF PURE ART 91 THE IMPURITY OF GREAT LITERATURE 98 IS A PURE FICTION THEORETICALLY DESIRABLE? 109 V GENERAL RULES, IV: EMOTIONS, BELIEFS, AND THE READ- ER S OBJECTIVITY 119 TEARS AND LAUGHTER ARE, AESTHETICALLY, FRAUDS 119 TYPES OF LITERARY INTEREST (AND DISTANCE) 125 COMBINATIONS AND CONFLICTS OF INTERESTS 133 THE ROLE OF BELIEF 137 BELIEF ILLUSTRATED: THE OLD WIVES TALE 144 VI TYPES OF NARRATION 149 PERSON 150 DRAMATIZED AND UNDRAMATIZED NARRATORS 151 OBSERVERS AND NARRA TOR-AGENTS 153 SCENE AND SUMMARY 154 COMMENTARY 155 SELF-CONSCIOUS NARRATORS 155 VARIATIONS OF DISTANCE 155 VARIATIONS IN SUPPORT OR CORRECTION 159 PRIVILEGE 160 INSIDE VIEWS 163 PART II : THE AUTHOR S VOICE IN FICTION VII THE USES OF RELIABLE COMMENTARY 169 PROVIDING THE FACTS, PICTURE, OR SUMMARY 169 MOLDING BELIEFS 177 RELATING PARTICULARS TO THE ESTABLISHED NORMS 182 HEIGHTENING THE SIGNIFICANCE OF EVENTS 196 GENERALIZING THE SIGNIFICANCE OF THE WHOLE WORK 197 MANIPULATING MOOD 200 COMMENTING DIRECTLY ON THE WORK ITSELF 205 VIII TELLING AS SHOWING: DRAMATIZED NARRATORS, RELIABLE AND UNRELIABLE 211 RELIABLE NARRATORS AS DRAMATIZED SPOKESMEN FOR THE IM- PLIED AUTHOR 211 FIELDING IN TOM JONES 215 IMITATORS OF FIELDING 218 TRISTRAM SHANDY AND THE PROBLEM OF FORMAL COHERENCE 221 THREE FORMAL TRADITIONS: COMIC NOVEL, COLLECTION, AND SATIRE 224 THE UNITY OF TRISTRAM SHANDY 229 SHANDEAN COMMENTARY, GOOD AND BAD 234 IX CONTROL OF DISTANCE IN JANE AUSTEN S EMMA 243 SYMPATHY AND JUDGMENT IN EMMA 243 SYMPATHY THROUGH CONTROL OF INSIDE VIEWS 245 CONTROL OF JUDGMENT 249 THE RELIABLE NARRATOR AND THE NORMS OF EMMA 256 EXPLICIT JUDGMENTS ON EMMA WOODHOUSE 262 THE IMPLIED AUTHOR AS FRIEND AND GUIDE 264 PART III: IMPERSONAL NARRATION X THE USES OF AUTHORIAL SILENCE 271 EXIT AUTHOR ONCE AGAIN 271 CONTROL OF SYMPATHY 274 CONTROL OF CLARITY AND CONFUSION 284 SECRET COMMUNION BETWEEN AUTHOR AND READER 300 XI THE PRICE OF IMPERSONAL NARRATION, I: CONFUSION OF DISTANCE 311 THE TURN OF THE SCREW AS PUZZLE 311 TROUBLES WITH IRONY IN EARLIER LITERATURE 316 THE PROBLEM OF DISTANCE IN A PORTRAIT OF THE ARTIST 323 XII THE PRICE OF IMPERSONAL NARRATION, II: HENRY JAMES AND THE UNRELIABLE NARRATOR 339 THE DEVELOPMENT FROM FLAWED REFLECTOR INTO SUBJECT 340 THE TWO LIARS IN THE LIAR 347 THE PURLOINING OF THE ASPERN PAPERS OR THE EVOCA- TION OF VENICE ? 354 DEEP READERS OF THE WORLD, BEWARE! 364 XIII THE MORALITY OF IMPERSONAL NARRATION 377 MORALITY AND TECHNIQUE 377 THE SEDUCTIVE POINT OF VIEW: CELINE AS EXAMPLE 379 THE AUTHOR S MORAL JUDGMENT OBSCURED 385 THE MORALITY OF ELITISM 391 BIBLIOGRAPHY 399 INDEX 435 PPN: 002935368 TITEL: THE RHETORIC OF FICTION / WAYNE C. BOOTH. - . - CHICAGO : UNIV. OF CHICAGO PR., 1966 BIBLIOGRAPHISCHER DATENSATZ IM SWB-VERBUND
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author	Booth, Wayne C. 1921-2005
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spellingShingle	Booth, Wayne C. 1921-2005 The rhetoric of fiction Erzähltheorie (DE-588)4152975-3 gnd Poetik (DE-588)4046449-0 gnd Roman (DE-588)4050479-7 gnd Rhetorik (DE-588)4076704-8 gnd Romantheorie (DE-588)4076830-2 gnd Prosa (DE-588)4047497-5 gnd Erzähltechnik (DE-588)4124854-5 gnd Epik (DE-588)4015025-2 gnd Englisch (DE-588)4014777-0 gnd
subject_GND	(DE-588)4152975-3 (DE-588)4046449-0 (DE-588)4050479-7 (DE-588)4076704-8 (DE-588)4076830-2 (DE-588)4047497-5 (DE-588)4124854-5 (DE-588)4015025-2 (DE-588)4014777-0
title	The rhetoric of fiction
title_auth	The rhetoric of fiction
title_exact_search	The rhetoric of fiction
title_full	The rhetoric of fiction
title_fullStr	The rhetoric of fiction
title_full_unstemmed	The rhetoric of fiction
title_short	The rhetoric of fiction
title_sort	the rhetoric of fiction
topic	Erzähltheorie (DE-588)4152975-3 gnd Poetik (DE-588)4046449-0 gnd Roman (DE-588)4050479-7 gnd Rhetorik (DE-588)4076704-8 gnd Romantheorie (DE-588)4076830-2 gnd Prosa (DE-588)4047497-5 gnd Erzähltechnik (DE-588)4124854-5 gnd Epik (DE-588)4015025-2 gnd Englisch (DE-588)4014777-0 gnd
topic_facet	Erzähltheorie Poetik Roman Rhetorik Romantheorie Prosa Erzähltechnik Epik Englisch
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