Gespeichert in:
| Titel: | Representing music for analysis and composition |
|---|---|
| Von: |
Geraint Wiggins ; Mitch Harris ; Alan Smaill
|
| Person: |
Wiggins, Geraint
Verfasser aut Harris, Mitch Smaill, Alan |
| Hauptverfassende: | , , |
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Edinburgh
1990
|
| Schriftenreihe: | University <Edinburgh>
504 |
| Schlagworte: | |
| Abstract: | Abstract: "Many systems have been proposed to encode music so as to allow manipulation in a computer. We suggest that this multiplicity of representations can usefully be eliminated, and propose an abstract representation, which can be thought of as implicit in aspects of many previous approaches. In terms of this basic representation, we can then build up higher-level hierarchical representations, available for the purposes of analysis or compositional manipulation. We illustrate this approach by describing an algorithm for rhythmic analysis developed by Steedman, and an analytic procedure developed by Ruwet, both formulated within our representation." |
| Beschreibung: | 10 S. |
Internformat
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| 035 | |a (OCoLC)1071782382 | ||
| 035 | |a (DE-599)BVBBV010452721 | ||
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| 100 | 1 | |a Wiggins, Geraint |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Representing music for analysis and composition |c Geraint Wiggins ; Mitch Harris ; Alan Smaill |
| 264 | 1 | |a Edinburgh |c 1990 | |
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| 490 | 1 | |a University <Edinburgh> / Department of Artificial Intelligence: DAI research paper |v 504 | |
| 520 | 3 | |a Abstract: "Many systems have been proposed to encode music so as to allow manipulation in a computer. We suggest that this multiplicity of representations can usefully be eliminated, and propose an abstract representation, which can be thought of as implicit in aspects of many previous approaches. In terms of this basic representation, we can then build up higher-level hierarchical representations, available for the purposes of analysis or compositional manipulation. We illustrate this approach by describing an algorithm for rhythmic analysis developed by Steedman, and an analytic procedure developed by Ruwet, both formulated within our representation." | |
| 650 | 4 | |a Musical notation |x Computer programs | |
| 700 | 1 | |a Harris, Mitch |e Verfasser |4 aut | |
| 700 | 1 | |a Smaill, Alan |e Verfasser |4 aut | |
| 810 | 2 | |a Department of Artificial Intelligence: DAI research paper |t University <Edinburgh> |v 504 |w (DE-604)BV010450646 |9 504 | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-006965584 | |
Datensatz im Suchindex
| DE-BY-TUM_call_number | 0111 2001 B 6034-504 |
|---|---|
| DE-BY-TUM_katkey | 663844 |
| DE-BY-TUM_location | 01 |
| DE-BY-TUM_media_number | 040010002227 |
| _version_ | 1821930932155711489 |
| any_adam_object | |
| author | Wiggins, Geraint Harris, Mitch Smaill, Alan |
| author_facet | Wiggins, Geraint Harris, Mitch Smaill, Alan |
| author_role | aut aut aut |
| author_sort | Wiggins, Geraint |
| author_variant | g w gw m h mh a s as |
| building | Verbundindex |
| bvnumber | BV010452721 |
| ctrlnum | (OCoLC)1071782382 (DE-599)BVBBV010452721 |
| format | Book |
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| id | DE-604.BV010452721 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T09:54:24Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-006965584 |
| oclc_num | 1071782382 |
| open_access_boolean | |
| owner | DE-91G DE-BY-TUM |
| owner_facet | DE-91G DE-BY-TUM |
| physical | 10 S. |
| publishDate | 1990 |
| publishDateSearch | 1990 |
| publishDateSort | 1990 |
| record_format | marc |
| series2 | University <Edinburgh> / Department of Artificial Intelligence: DAI research paper |
| spellingShingle | Wiggins, Geraint Harris, Mitch Smaill, Alan Representing music for analysis and composition Musical notation Computer programs |
| title | Representing music for analysis and composition |
| title_auth | Representing music for analysis and composition |
| title_exact_search | Representing music for analysis and composition |
| title_full | Representing music for analysis and composition Geraint Wiggins ; Mitch Harris ; Alan Smaill |
| title_fullStr | Representing music for analysis and composition Geraint Wiggins ; Mitch Harris ; Alan Smaill |
| title_full_unstemmed | Representing music for analysis and composition Geraint Wiggins ; Mitch Harris ; Alan Smaill |
| title_short | Representing music for analysis and composition |
| title_sort | representing music for analysis and composition |
| topic | Musical notation Computer programs |
| topic_facet | Musical notation Computer programs |
| volume_link | (DE-604)BV010450646 |
| work_keys_str_mv | AT wigginsgeraint representingmusicforanalysisandcomposition AT harrismitch representingmusicforanalysisandcomposition AT smaillalan representingmusicforanalysisandcomposition |