Verfügbarkeit: Shakespeare and Italy

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Titel:	Shakespeare and Italy
Von:	Benedikt Höttemann
Person:	Höttemann, Benedikt Verfasser aut
Hauptverfasser:	Höttemann, Benedikt (VerfasserIn)
Format:	Abschlussarbeit Buch
Sprache:	Englisch
Veröffentlicht:	Münster [u.a.] LIT 2011
Schlagworte:	Demokratisierung Öffentliche Theologie Politische Theologie Politischer Wandel Südafrika Hochschulschrift
Online-Zugang:	http://deposit.dnb.de/cgi-bin/dokserv?id=3838439&prov=M&dok_var=1&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024147048&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024147048&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
Beschreibung:	419 S. 210 mm x 147 mm
ISBN:	9783643801012

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Datensatz im Suchindex

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adam_text	IMAGE 1 7 TABLE OF CONTENTS INTRODUCTION 15 1. SHAKESPEARE - A UNIVERSAL PLAYWRIGHT AND A MYSTERY 15 2. SHAKESPEARE S ITALIAN PLAYS 17 3. RECENT STUDIES AND LEGITIMACY 20 4. PURPOSE OF THE STUDY 23 5. STRUCTURE AND PROCEDURE 25 CHAPTER I: ANGLO-ITALIAN RELATIONS IN SHAKESPEARE S ENGLAND 29 1. CULTURAL RELATIONS 29 1.1 THE RENAISSANCE PERIOD. 30 1.2 ARCHITECTURE AND FINE ARTS 31 1.3 TRADE AND COMMERCE 32 1.4 TRAVELING AND EDUCATION 35 2. THE ITALIAN BORROWINGS 39 3. LITERARY CONNECTIONS 41 3.1 THE ITALIAN SONNETS 42 3.2 THE ITALIAN NOVELLA 44 3.3 EXEMPLARY WORKS 46 3.3.1 CASTIGLIONE 47 3.3.2 MACHIAVELLI 49 4. THE ELIZABETHAN IMAGE OF ITALY 53 4.1 ITALOPHILIA 54 4.2 ITALOPHOBIA 55 BIBLIOGRAFISCHE INFORMATIONEN HTTP://D-NB.INFO/1012593002 DIGITALISIERT DURCH IMAGE 2 CHAPTER II: SHAKESPEARE S ITALIAN SOURCES 59 1. SHAKESPEARE AND INTERTEXTUALITY 59 1.1 MEDIATED THROUGH AUTHOR 60 1.2 THE AUDIENCE S CONTRIBUTION 61 1.3 NEW APPROACH 62 1.4 ATTEMPT AT A DEFINITION OF A SOURCE 63 2. SHAKESPEARE AND THE ITALIAN COMEDY 64 2.1 DEVELOPMENT IN ITALY AND ENGLAND. 64 2.2 THE COMMEDIADELL ARTE 66 2.2.1 STOCK CHARACTERS 69 2.2.2 ATTEMPT AT A DEFINITION 71 2.2.3 SHAKESPEARE AND THE COMMEDIA DELL ARTE 72 2.3 TENDENCY TOWARD MIXED GENRES 76 2.4 THEATERGRAMS 79 3. THE RENAISSANCE PRACTICE OFLMITATIO 80 4. SHAKESPEARE S ITALIAN SOURCES AND ANALOGUES 82 4.1 THE TWO GENTLEMEN OF VERONA 83 4.1.1 THE TWO GENTLEMEN OF VERONA AND THE ITALIAN COMEDY 85 4.1.2 THE TWO GENTLEMEN OF VERONA AND THE COURTESY TRADITION 87 4.2 THE TAMING OF THE SHREW 91 4.2.1 THREE THEORIES 93 4.2.2 ARIOSTO S I SUPPOSITI AND OTHER ANALOGUES 95 4.3 ROMEO AND JULIET 99 4.3.1 LUIGIDA PORTO S VERSION 101 4.3.2 MASUCCIO S II NOVELLINO 104 IMAGE 3 4.4 THE MERCHANT OF VENICE 106 4.4.1 SER GIOVANNI FIORENTINO S II PECORONE 107 4.4.2 MASUCCIO S II NOVELLINO 110 4.5 THE MERRY WIVES OF WINDSOR 112 4.5.1 THE DUPED HUSBAND AND SER GIOVANNI FIORENTINO S II PECORONE 115 4.5.2 OTHER ITALIAN SOURCES AND ANALOGUES 117 4.6 MUCH ADO ABOUT NOTHING 120 4.6.1 BANDELLO S NOVELLE ANDARIOSTO S ORLANDO FURIOSO 122 4.6.2 PASQUALIGO S II FEDELE AND DELIA PORTA S GLIDUOI FRATELLI RIVALI 127 4.7 TWELFTH NIGHT AND THE GL INGANNATI TRADITION 131 4.8 ALL S WELLTHATENDS WELL AND THE DECAMERON 136 4.9 OTHELLO 141 4.9.1 GIRALDI CINTHIO S GLI HECATOMMITHI 143 4.9.2 ARIOSTO S ORLANDO FURIOSO AND BANDELLO 147 4.10 MEASURE FOR MEASURE 150 4.10.1 CINTHIO S HECATOMMITHI 151 4.10.2 CINTHIO S DRAMATIC VERSION OFEPITIA 154 4.11 THE WINTER S TALE ANDGUARINI S IDEAS ABOUT GENRE 158 4.12 THE TEMPEST 162 4.12.1 THE TEMPEST AND THE ITALIAN COMEDY 163 4.722 THE TEMPEST AND WILLIAM THOMAS 166 5. OTHER SOURCES OF INSPIRATION 167 6. SHAKESPEARE S LEARNING 169 IMAGE 4 10 6.1 SHAKESPEARE S KNOWLEDGE OF ITALIAN 170 6.2 JOHN FLORIO 174 7. ON SHAKESPEARE S USE OF HIS SOURCES 176 7.1 SHAKESPEARE S METHOD 176 7.2 SHAKESPEARE: A PLAGIARIST? 178 CHAPTER III: SHAKESPEARE S ITALIAN PLAYS 181 1. THE TWO GENTLEMEN OF VERONA 181 1.1 THE TRAVEL MOTIF AND EDUCATION 181 1.2 LOCAL COLOR 184 1.2.1 THE TERRA FIRMA: VERONA, MILAN AND PADUA 184 1.2.2 ACCURACIES AND INACCURACIES 187 1.3 ITALIAN ROMANTIC COMEDY 191 2. THE TAMING OF THE SHREW 195 2.1 EDUCATION AND LEARNING 195 2.1.1 TEACHERS 197 2.1.2 LEARNERS 199 2.1.3 THE TRAVEL MOTIF IN THE PLAY 201 2.2 LOCAL COLOR 204 2.2.7 PADUA, PISA, MANTUA AND FLORENCE 204 2.2.2 ACCURACIES AND INACCURACIES 207 2.3 THE ROLE OF DISGUISE IN THE PLAY 212 3. ROMEO AND JULIET 215 3.1 THE MONTAGUES AND THE CAPULETS IN ITALY: AN ATTEMPT AT A HISTORICAL READING 215 3.2 POETRY IN THE PLAY 220 3.3 LOCAL COLOR 225 3.3.1 VERONA AND MANTUA 225 3.3.2 LEGEND VS. REALITY 228 3.3.3 ACCURACIES AND INACCURACIES 232 3.4 THE FENCING DEBATE 236 IMAGE 5 11 4. THE MERCHANT OF VENICE 240 4.1 LOCAL COLOR 240 4.1.1 THE MYTH OF VENICE 241 4.1.2 VENICE IN THE MERCHANT OF VENICE 245 4.1.3 THE JEWS OF VENICE 255 4.1.4 SHAKESPEARE S JEW OF VENICE 258 4.1.5 ACCURACIES AND INACCURACIES 262 4.2 SHAKESPEARE S DOUBLE SETTING 267 5. MUCH ADO ABOUT NOTHING 270 5.7 CLAUDIO AND BENEDICK 270 5.7.7 TEMPERAMENT AND WIT 271 5.1.2 FLORENCE AND PADUA 274 5.2 DON JOHN AND SICILIAN FAMILY HISTORY 276 5.3 LOCAL COLOR 280 5.3.1 MESSINA: A MYTHICAL PLACE 280 5.3.2 ACCURACIES AND INACCURACIES 284 5.4 THE ITALY OF MUCH ADO ABOUT NOTHING 286 6. OTHELLO 288 6.1 HISTORICAL BACKGROUND 288 6.1.1 THE VENETIAN-TURKISH WARS 288 6.7.2 THE TRADITION OF MYTHOLOGY: ITALY IN THE GRIP OF SPAIN 292 6.2 LOCAL COLOR 295 6.2.1 SHAKESPEARE S DOUBLE SETTING: VENICE AND CYPRUS ... 295 6.2.2 OTHELLO AND THE MYTH OF VENICE 303 6.2.3 ACCURACIES AND INACCURACIES 305 6.3 OTHELLO: THE MOOR OF VENICE 311 7. THE WINTER S TALE 315 7.7 GIULIO ROMANO AND THE SHAKESPEAREAN CONNECTION TO ITALIAN PAINTING 315 7.2 LOCAL COLOR 319 IMAGE 6 12 7.2.7 SHAKESPEARE S DOUBLE SETTING: BOHEMIA AND THE TWO SICILIES 319 7.2.2 THE INVERSION OF KINGDOMS 323 7.2.3 ACCURACIES AND INACCURACIES 326 8. THE TEMPEST 327 5.7 LOCAL COLOR 327 5.7.7 THE LOCALITIES OF THE TEMPEST 327 8.1.2 INDETERMINACY OF PLACE 330 8.1.3 COSMOPOLITAN LONDON 332 8.2 THE ITALY OF THE TEMPEST 335 8.2.1 POLITICAL BACKGROUND 338 8.2.2 AN ITALIAN PLAY OF FORGIVENESS 342 9. ON SHAKESPEARE S USE OF HIS FOREIGN SETTINGS 343 CHAPTER IV: SHAKESPEARE S ITALY 347 7. SHAKESPEARE S ALLEGED VISIT TO ITALY 347 2. THE NATURE OF SHAKESPEARE S ITALY 350 2.1 A NATION OF ITS OWN 350 2.2 A METAPHOR FOR ENGLAND 353 2.3 SHAKESPEARE S ITALIAN UNIVERSE: A MENTAL WORLD 355 3. THE FUNCTIONS OF THE ITALIAN SETTINGS IN THE PLAYS 361 3.1 THE SELF VS. THE EXOTIC OTHER 366 3.2 NATIONAL IDENTITY IN THE MAKING 368 4. NINETEENTH-CENTURY STAGE CONVENTIONS 370 CONCLUSIONS 373 7. THE ORIGIN OF SHAKESPEARE S KNOWLEDGE OF ITALY 373 IMAGE 7 13 2. THE SOURCES OF SHAKESPEARE S ITALIAN PLAYS 375 3. SHAKESPEARE S ITALIAN PLAYS AND SHAKESPEARE S ITALY 377 4. THE FUNCTIONS OF SHAKESPEAR S ITALIAN SETTINGS 380 5. TOTUS MUNDUS AGITHISTRIONEM 382 WORKS CITED 385 7. PRIMARY LITERATURE 385 2. SECONDARY LITERATURE 387 2.7 COMPLETE WORKS 387 2.2 ESSAYS AND CHAPTERS 394 DEUTSCHE ZUSAMMENFASSUNG 413 Shakespeare died ¡n Fughimi. Ile did so without set¬ ting loot on Italian soil. However, his universe ol Itali¬ an plays, characters and settings has fascinated schol- ars over centuries. Assimilating past and recent develop¬ ments in the Held ot intertextual studies, this volume oi¬ lers a thorough access to the playwright s niulti-ľaceled Italian world, attempting· a new perspective of all rele¬ vant issues involved. Believed to he the cradle ol the Re¬ naissance, hut also the home ol poisoning and intrigue, the Italian otherness was at all times a breathtal Hi sta¬ ge experience. Born in Kirn, Benedikt Ilötteniann studied Fnglish and French language and literature at the universities ol Trier (dennany) and Lille (France). I pon completion of his studies in September 2008, he started his [»hi). Currently, lie is teaching Lnglish and French at a (ier- nian І1ІЦІ1 school.
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spellingShingle	Höttemann, Benedikt Shakespeare and Italy Demokratisierung (DE-588)4124941-0 gnd Öffentliche Theologie (DE-588)1042227152 gnd Politische Theologie (DE-588)4046562-7 gnd Politischer Wandel (DE-588)4175047-0 gnd
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title	Shakespeare and Italy
title_auth	Shakespeare and Italy
title_exact_search	Shakespeare and Italy
title_full	Shakespeare and Italy Benedikt Höttemann
title_fullStr	Shakespeare and Italy Benedikt Höttemann
title_full_unstemmed	Shakespeare and Italy Benedikt Höttemann
title_short	Shakespeare and Italy
title_sort	shakespeare and italy
topic	Demokratisierung (DE-588)4124941-0 gnd Öffentliche Theologie (DE-588)1042227152 gnd Politische Theologie (DE-588)4046562-7 gnd Politischer Wandel (DE-588)4175047-0 gnd
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