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Buchumschlag
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Bibliographische Detailangaben
Titel:Kultura a totalita
= Everydayness
Unterteilung:Každodennost
4
Von: Ivan Klimeš ... (eds.)
Person: Klimeš, Ivan
1957-
Weitere Personen: Klimeš, Ivan 1957- (HerausgeberIn)
Format: Buch
Sprache:Tschechisch
Veröffentlicht: Praha Filozofická Fakulta Univerzity Karlovy 2016
Ausgabe:Vydání první
Schriftenreihe:Varia 57. svazek
Schlagworte:
Aufsatzsammlung
Online-Zugang:https://www.recensio.net/r/63717d045eb94878aca5ea52d165c7de
https://www.recensio.net/r/1eacb6fec63b4846945542a40f082306
http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029094777&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029094777&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029094777&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA
Beschreibung:442 Seiten Illustrationen
ISBN:9788073087012
Internformat

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Datensatz im Suchindex

_version_ 1819373153189625856
adam_text Obsah Úvodem 9 Ivan Klimeš ֊ Jan Wiendl Prolegomena Kde život náš je v půli se svou poutí. Poetika každodennosti v moderní literatuře 19 Petr Málek Banalita zla, každodennost, malé dějiny a otevřené vyprávění 69 Jiří Holý ֊ Hana Nichtburgerová Historici, čas a normalizace: sonda do proměn historické temporality 88 Kamil Činátl Sondy a analýzy Listy na papíře duchovém... Obraz lidského života v obrozenské epištolami satiře 107 Václav Vaněk Masaryk lidem „jen trochu myslícím“. Každodennost a hilsneriáda 124 Luboš Merhaut Ironická idyla všedních dnů. K tvorbě Vojtěcha Rakouse 151 Daniel Vojtěch Inscenace každodennosti jako prostředek subverze v románech Bernarda Horsta (Příspěvek k reprezentacím každodennosti na přelomu let 1929-1930) 182 Lukáš Holeček Pražská idyla uprostřed apokalypsy (Poznámky ke „kulhavému divadlu jako paradoxu každodennosti) 206 Vladimír Just „Aby režiséři nenosili nos nahoru : Barrandovští komunisté a každodennost českého filmaře v padesátých letech 227 Petr Szczepaník „Výkyv každodenní / z propasti do propasti . Téma každodennosti a jeho transformace ve vězeňské lyrice Jana Zahradníčka 250 Josef Vojvodík - Jan Wiendl „Málem a byl bych napsal datum . Zdánlivé dějiny v Hančových Událostech 277 Michael Špirit Ticho pod lipami. Venkovské publikum padesátých a šedesátých let 291 Lucie Česálková Jak učinit všednost zajímavou? Ztvárňování každodennosti v české próze šedesátých let 313 Petr Mareš Každodenní chůze jako vědecká metoda: Cesta na jih v čase normalizace 326 Libuše Heczková - Kateřina Svatoňová Píseň našeho žití - inscenovaná normalizační každodennost (nejen) pod taktovkou Vítězslava Rzounka 336 Julie Kočí „Někdy se život nevyvede. Současnost a každodennost v inscenacích znormalizované první scény 363 Barbara Topolová „Duní vlak metrem v ránu teplém : Pár poznámek k absenci obrazů každodennosti v česká popkultuře normalizační éry Petr A. Bílek 384 405 Od otevřeného divadla apelu k otevřené společnosti občanů Martin Pšenička 423 43 5 Jmenný rejstřík Resumé / Summary Resumé / Summary A number of basic central themes served as the organizing criteria for our monographic series ֊ the first volume on the theme of Nation (FF UK, Praha 2013) was followed by a volume on the theme of War (FF UK, Praha 2014). The theme of Revolution (FF UK, Praha 2015) was the focus of the third vol- ume. The last theme was Everydayness (2016). All these themes introduce formative frames which make it possible to view the term Totality not only as historical and political phenomenon, but also as a philosophical and aes- thetic model expanding certain general ideas and forming concrete foun- dations in a cultural and artistic context. In the first volume, the Nation was understood to a great extent as the normative society, whose members are connected by an array of phenomena such as language, culture, history and education. War, the central theme of the second volume, was perceived as an extreme situation, in which states modify the rules of the existing order, strongly restrict and regulate the lives of citizens, interfering with them. Especially the vast war conflicts of the 20th century had the character of to- tal war with the potential to complete the epoch and prepare for the onset of a new one. Revolution ֊ the theme of the third volume - is perceived as the historical turning point (or paradigmatic change) in the development of the society and artistic structures; it introduces the conflict of the old and the new, and like war it has a situational dimension. Central to our inquiry into everyday life are socio-cultural aspects, rig- orously connected with analyses of the concrete artistic or historic-artistic relations. Themes of everyday life and banality became topical in light of contemporary debates about religious, war, political or private conflicts. The common denominators of the chapters in this book are the reflections on the paradox arising from the clash between the disparate manifestations of everyday life (banality, everyday life as the manifestation of the true course of life or conversely of the ideal vision, dream or desire about eve- ryday life in an extraordinary, extreme situation) and their destruction/ reconstruction/ fulfilment/displacement of impulses and realities arising from various conflict situations (e.g. of socio-political, artistic etc. charac- ter). It is the conflicting nature of the clashes of the everyday manifestations with an extreme form of the totalitarian principle (in the way of artisti- cally expressed demands and positions as well as in the sphere of political and cultural practices) on which the direction of individual contributions is RESUME / SUMMARY 435 based. We endeavoured to present the theme everydayness so that it would not appear as a non-historical and decontextualized study dealing with var- ious forms and images of everyday life, tearing these relations from their specific historical context and viewing them in the spirit of benign apolitical (or conversely excessively politically motivated) retrospective which (often deliberately) displaces awareness of causes and consequences, and without which historical context cannot be fully perceived and comprehended. The time and topic distribution of themes mapped in the chapters of this book cover a broad time scale (mainly but not only) of the native cul- tural environment of the 19th and 20th centuries, i.e. in the perspective of the so-called long modernism , and specifically in the fields of historical, literary-historical, philological, theatrological, musicological, cinemato- graphic and other disciplines. This publication is - similarly as with the previous cases - divided into two sections. The first one, called Prolegomena, consists of three studies, each of which in its own way indicates more general goals and processes, characteristic of the other chapters contained in this book. The analysis of everydayness and its literary reflection in Jedlickas novella Midway Upon the Journey of Our Life - in an existential, autobiographically based prose, reflecting the socialistic reality of the 1950 s in the 20th century northern Bohemia, is situated in the multifaceted introductory study of Petr Malek in a broader literary-historical context. Simultaneously, within its frame- work a more complex question is posed about the nature of the relation between reality as portrayed in a work of literature and reality as it is ex- perienced. The focus of the first part of Maleks chapter is intertextuality, the central literary process of Jedlickas book which does not cancel the lit- erary text s reference to the world according to Bachtins dialogism and does not limit it within its primary literariness, but introduces into it everyday reality and society. Jedlickas writing is not unlike ethnographic discourse, recording the rich material of everyday life through meticulously observed details and contemporary cultural rituals and practices: songs, films, books, photos, political slogans and speeches, and most of all the style which co- -creates the effect of authenticity and at the same time reflects the schisms and conflicts of socialistic everyday life, captured mainly in the tragicomic addiction to material things. In the following parts of the chapter, the phe- nomenon of everyday life is introduced not only in a broader historical context as an exclusively literary question, but also as a philosophical one. The author looks to the texts of Rüžena Grebenickovä, who often revisited the issue of ordinary days and plain everydayness reflecting the nature of modern society s structure, as one of the major attributes of the 20th century artistic prose. The author also alluded to the book of Karel Kosik, Dialectic of the Concrete: A Study on Problems of Man and World (1963), which, through 436 KULTURA A TOTALITA IV - KAŽDODENNOST its continuity of the works of Edmund Husserl and especially Martin Hei- degger in the Czech context, most clearly formed the question of the mean- ing of everydayness, especially in its estranged, materialized and emptied form. The last parts of the chapter are dedicated to everydayness and its rendering in Jedlička s book both in constellation with history (revolution and its failure) and with myth and its demythologizing. The chapter by lit- erary historians Jiří Holý and Hana Nichtburgerová, named The Banality of Evil, Everydayness, Small-scale History and Open Narrative is based on Han- nah Arendťs reflections on the banality of eviľ in her famous book about Eichmanns process in Jerusalem, where Arendt poses a key question: Were the crimes against humanity committed during the Second World War some historical anomaly, or were they the concealed face of modern civilisation? The authors are expanding on the initial question of whether the mass mur- der of innocents can become an everyday act of the bureaucratic machinery. They seek answers through an analysis of the aesthetic representation of war, holocaust and genocides in literature and art. In the third text of the in- troductory block called Historians, Time and Normalization: Changes of Histor- ic Temporality, the author ֊ historian Kamil Činátl - focused on the charac- teristics of the specific temporality which is typical of contemporary histo- riographical works based on the interest in everydayness. The main focus is on the friction between storytelling, whose temporality is based on the tra- ditional understanding of political history, and stories which are produced by expert historians as well as amateurs dealing with everydayness (for ex- ample various instances of oral history, interest in subcultures, pop cul- ture Histotainment). The author is thematically focusing on Czech history, specifically the period of Normalization and the related historiographical and non-fiction production after the year 1989. With regard to the extent of the production he limits himself to case probes into the specific genres and media. In the background of concrete analyses and interpretations he is striving to grasp the general problem of temporality of historiographical narration based on the interest in what was happening besides big history . Among other questions, the author asks the following: On which concept of temporality is contemporary historiography of everydayness based? How is this concept of historical time connected to the traditional great storytell- ing ? Can the perspective of everydayness subvert the totalizing narratives? What role do the so-called new media and modern technology play here? The second section of the book, Probes and Analyses, collects case stud- ies which are interdisciplinarily based and ranked on the basis of thematic chronological order, and dedicated to the concrete art-historic problems. In the chapter Letters on Ghost Paper... The Depiction of Human Life in Revival- ist Epistolary Satire literary historian Václav Vaněk focuses on epistolary satirical volumes which represented a frequent genre of revivalist humor- RESUMÉ / SUMMARY 437 istic prose. In the most important ones, above all in Čelakovský s Significant Letters from Insignificant People (Patrné dopisy nepatrných osob), in Tyľs Bo- hemian Garnets (České granáty) and in Nerudas collection From the Edi- tors Pocket Book (Z tobolky redaktorovy), there is not only the resonation of the everyday life of the Czech society in the decades of its foundation and development, but it also contains criticism of greed, ignorance and the de- sire to own possessions - traits which, in the framework of the Czech world, fatally formed the reality of life, patriotic attitudes as well as the relation- ship to culture and art. In the chapter When Masaryk Speaks to Those with Common Sense Everydayness and the *Hilsneriade , literary historian Luboš Merhaut examines this process (1899-1900) as a peculiar case and type of polemic in the context of the polemical events taking place at the turn of the century (which he has already examined in previous volumes, focusing on various aspects), revealing the state of civilian and cultural life. It will predominantly focus on the involvement of T. G. Masaryk, both on his long- -term and purposeful, practical and polemical endeavour for the critical analysis and modern change of the national society s everyday life, and also with the emphasis on the relations and conflicts of various concepts of mo- dernity with conservative everydayness, of common sense and humanity with superstitions, and of anti-Semitism or clericalism manifesting itself in the society and its artistic life. In the chapter The Ironic Idyll of Ordinary Days literary historian and theorist Daniel Vojtěch discusses the work of Vojtěch Rakous. He analyses the work that is considered a representative literary mark in the Czech-Jewish movement, a work stemming from short essay writing, realistic journalism and magazine writing of the latter half of the 1880 s. The author shows the way to the individualisation of language and genre in this work, a way to the peculiar syncretism of genre moving along the border between aesthetic convictions and ideological demands, to the prose writer s relation to contemporary literary scholarship and to its Czech-Jewish horizon as the lifelong task of critical self-reflection. The theme of the study is the forming of a linguistic and genre expression of Rakous s storytelling irony, as well as the context with which he forges his own path and builds the picture of a community on the border between the everyday and the unstoppable activating ideological noise of modern times. The purpose of the authors analysis is to highlight the relatively complicated context of Rakous s beginnings, the context in which he de- fined his storytelling style and to bring to attention the historical situation which stays preserved in his late prose as a conflicting meaning of actuality, from which arises a remembrance of the picture of perfect order with its rhythm of ordinary and festive days. In the chapter called The Staging of Eve- rydayness as a Means of Subversion in the Prosaic Work of Bernard Horst (Rep- resentations of Everydayness at the Turn of 1929 and 1930), literary historian 438 KULTURA A TOTALITA IV - KAŽDODENNOST Lukáš Holeček is freely inspired by the ideas of Konrad Paul Liessmann, who in the book The Universe of Things: Towards the Aesthetics of Everydayness (Czech language edition: 2012) defines everydayness as the experience of eternal return of the same in ordinary form . In his contribution, Holeček is freely inspired by this idea and focuses on the prosaic work of Bernard Horst. In their time, five of his prosaic books published in the 1930 s repre- sented an interesting focal point of clashes of contemporary negotiations over the phenomena of everydayness (country life, physicality, eroticism, sport...) primarily because of the subversive and parodie nature of his prose as well as its language, all of which contemporary literary critique naturally tried to domesticate, tame or push aside. In the chapter called Prague Idyll Amid Apocalypse (‘Limping Theatre as a Paradox of Everydayness), theatre historian and critic Vladimir Just concentrates on a less-known fact from the history of the Czech theatre at the time of German occupa- tion. As is known, beginning on the September 1st 1944 on Goebbels s or- ders, theatres were forbidden from operating on the entire territory of the Third Reich, including Protectorate, until the end of the war. A lesser known fact is that on April 1st the Protectorate Authority gave permission to restart the activities of Prague National Theatre (both Opera and Drama) in the largest Prague theatre building, in the so-called Temporary Theatre in Karlin, where the drama section of the National Theatre regularly per- formed (the theatre and the surge in attendance numbers, which were not seen before or since then, are typical signs of everydayness in the Protec- torate, and the six month pause only intensified the hunger for theatre). The author asks what this false and (from above) prescribed illusion of eve- rydayness meant, and what standpoint the actors as well as theatre-goers assumed. Was it some peculiar form of collaboration, a continuation of in- famous manifestations from the time of the Heydrichiade? The Czech film industry was nationalized as early as 1945, nevertheless it was not until 1948-1949 that its final legal and organisational centrali- sation took place, with its severest form lasting until the year 1954. This is manifested mainly in the production, where the traditional methods and at- titudes of the film makers (their production culture ) are confronted with the conception of film factories, derived from heavy industry. This situation presents the starting-point of the chapter written by the film historian Petr Szczepanik called So That Directors Would Not Be Conceited: The Barrandov Communists and Everydayness of the Czech Film Makers in the 1950 s. The most striking clash of the old and new ideas about the organisation of artistic work is to be seen in the creative professions of screenwriters, actors and directors. The artists who had been accustomed to working as freelanc- ers, home at night or in country hotels and discussing projects in the cafes around Wenceslas Square, suddenly have to commute ten kilometres every RESUMÉ / SUMMARY 439 day to the Barrandov film studios, where they have to share time and sur- roundings with hundreds of derks, technicians and, above all, manual workers. Their desperate complaints offer a unique insight into everyday life of a film maker, endangered by the totalitarian approach of cultural production. In the chapter called ‘The Everyday Swing / from Abyss to Abyss . The Theme of Everydayness and its Transformation in Jan Zahradniceks Prison Poetry, art historian and theorist Josef Vojvodik and literary historian Jan Wiendl focus on the interpretation of Czech poet Jan Zahradníček s vers- es from the period of his imprisonment (the collection The House of Fear / containing verses from the years 1951-1956/ and Four Summers /verses from the years 1956-1960/). In their opinion, the exceptionality of these verses can be attributed to several factors. On the one hand it is as if the prison verses of Zahradníček reflect nearly all of his developmental phases, which were the predecessors of his final life and creative period. However, we can see apparent metamorphosis in the formulation of a new life experience, which was caused by Zahradniceks arrest by the Communist State Secu- rity. It can be said that in his verses Zahradníček builds an alternative order of everyday life and an artistic activity, which - the more it is destabilised by external reality - rests deeper on the principle starting points which he, however, submits to fundamental revision. It is as though the poet was really living through the poetry as an integral personality, as a husband and father, but also as a man conscious of certain value horizon which must never (and can never) be transgressed by the all-stupefying brutality and debilitating everyday prison stereotype. In the chapter Writing Every Day, literary histo- rian, critic and editor Michael Špirit pays attention to the texts of Jan Hanč which were written at the turn of the 1950 s and i960 s and were conceived as the so-called small literary form (sketch, anecdote, aphorism). In this chap- ter he observes the creation of their manuscripts and the work of the edi- torial staff. He also attempts to show how the illusion of an autobiographi- cal report is invoked and how athematic everydayness is issued in light of the (at the time) contemporary published literary production. Here the au- thor analyses the depiction of Hanč s texts, as created by literary-historical manuals and literary critical concretizations of the last quarter century. In the chapter Silence Under the Linden Trees. The Rural Audience of the Fif- ties and Sixties, film historian Lucie Česálková analyses the changes in cin- ema attendance and television viewing in the Czechoslovakian countryside in the fifties and sixties. Based on the audience surveys and public opinions of the time, interviews with eyewitnesses and analyses of contemporary programmes, she points to the fact that the collectivisation of agriculture, industrialisation of countryside and efforts to modernise villages repre- sent in many respects contradictory tendencies which nonetheless compli- mented the consumption of culture and the use of media. The causes of 440 KULTURA A TOTALITA IV - KAŽDODENNOST resistance to the cinema, which became evident from the continuously de- creasing attendance in spite of the audiences perception of film as one of the most popular forms of entertainment, are explained here in a broader context of the social, demographic and geographic changes of the post war Czech countryside and in connection to the prompt and massive accept- ance of television by the rural population. In the chapter called How Can Banality be Made Interesting? Impersonating Everydayness in the Czech Prose of the i960 s, philologist and film historian Petr Mareš states that the is- sues of life’s stereotypicality, trivial repetition of the same actions within the framework of family and work functioning, as well as the language ri- gidity (in communication) and rigidity of thought became one of the sig- nificant (and innovative) themes of i960 s Czech prose. On the backdrop of this gloomy situation, attempts were then made (usually trivial and destined to failure) of the depicted characters striving to find a meaning- ful mode of existence. The purpose of the study is to show using selected examples the characteristic ways in which the given topis was handled, and the similarities and differences between its literary and film interpreta- tions. In the chapter called Everyday walk as a scientific method. Journey south in the time of normalisation, literary historian and theorist Libuše Heczko- vá and film theorist Kateřina Svatoňová return to the journey in the foot- steps of K. H. Mácha as described his diary entries, which was undertaken by literary theorist Růžena Grebeníčková in the period of severe normali- sation. This journey was carried out as a literary-theoretical and histori- cal challenge of understanding the suspended meanings in Machas diary, the everydayness which he recorded and which, as Grebeníčková clearly showed, was later reflected in his work. Grebeníčkovás points of departure also contained the radicalism of rev- olutionary formalism with its constant movement and a conscious destabi- lisation of perspective. In the chapter called The song of our lives. Staged Nor- malising Everydayness Conducted (Not Only) by Vítězslav Rzounek, theatre his- torian Julie Kočí deals with two staged performances of the National Thea- tre in the early 1980 s. The first one, The Time of a Man, was created in the Na- tional Theatre Ballet in May 1980. The second, called The Song of Our Lives and accompanied by the subheading Scenic Assembly for the 60th Anniversary of the Foundation of the Party was created in May 1981 based on the script which Vítězslav Rzounek was commissioned to prepare. Both of the staged performances were created as contemporary works with the aim to portray and, in the spirit of contemporary ideology, celebrate* the common reality or everydayness of the socialistic man. In the chapter called Sometimes Life Is a Failure: Contemporaneousness and Everydayness in the Staged Performances of the Normalised First Stage theatre historian Barbara Topolová focuses on the analysis of several original Czech normalisation plays and their pre- RESUMÉ / SUMMARY 441 mieres. She observes the difficulty, perhaps even impossibility, in captur- ing everyday life whose depiction in theatre staged plays is usually more or less connected to the present, and which contains a high level of mimesis. This is perhaps the reason why the few rare attempts to capture everyday- ness on stage (Jiří Daněk, The Autobiography of My Uncle, premiere 1983; Jiří Hubač, The Good Old Band, premiere 1984) were destined to fail in the pe- riod where the rigid picture of life was in sharp contrast with the reality. The described situation is compared with the stage performance of HaDi- vadlo Daughters of the Nation (text and direction Arnošt Goldflam, premiere 1987) that as the first one probably succeeded in overcoming the fatal lim- its observed earlier. In the chapter 7he Train Thunders in the Underground in a Warm Morning*: Missing Pictures of Everydayness in the Czech Popular Culture of the Normalization Era literary and cultural theorist Petr A. Bflek bases his thesis on the finding that high culture is capable of functioning solely on the basis of a broad spectrum of intrinsic textual meanings of- fered by deep texts, whereas popular culture, which does not limit the con- sumer in any restrictive way and allows him to do with the text whatever he likes, opens the space for the experiences of everyday lives. In works of ‘high culture everydayness can occur as a sub-theme, flag-theme or ele- ment. Everydayness must occur in mental pictures which we generate from the works of popular culture and keep in our minds; it needn t necessar- ily be part of the text itself but it is always inevitably part of the received perception of the work. In the chapter called From the Open Theatre of Ap- peal to the Open Society of Citizens theatre historian and theoretician Mar- tin Pšenička writes about Václav Havels reflections from the beginning of the 1980 s, in which he criticised the fetishization of merits of public per- sons, a phoney creation of morality for the press . He states that in the year 2016 we can say with an unclear conscience that attempts are appearing to transport Václav Havel, by means of various fetishizations and monu- mentalization strategies, into the haven of moral merits . In contempo- rary writing about Václav Havel, he perceives the greatest danger in this participation of everyday fetishizing phraseology which encompasses us with an increasing intensity. On the backdrop of this parallel, the author observes the process by which Havels personality, even in his lifetime, was gradually transformed into a fixed point in the past, becoming a symbolical figure of our communicative and gradually evolving cultural memory. Dear readers, we hope that this book, in a way similar to the previous three volumes, will become a welcome stimulus for deeper contemplations of historical, social, artistic and theoretical connections. Ivan Klimeš and Jan Wiendl 442 KULTURA A TOTALITA IV - KAŽDODENNOST Jmenný rejstřík A Adorno, Theodor W. 25,26,45,50,5ip., 61 Agamben, Giorgio 191 p. Aischylos 212 p. Alba de Toledo, Fernando Álvarez 121 Aleš, Mikoláš 159 Alexandr Veliký 121 Alexandrov, Grlgoríj 352 Altenberg, Peter 279, 280 Anna Stuartovna 392 Anouilh, Jean 211 p. Apitz, Bruno 71, 83 Arendtová, Hannah 11, 69,75, 257,409 Ariěs, Phillipe 44 p. Arichtev, Biser 91 p. Assmann, Jan 406 Atget, Eugěne 52 p. Auerbach, Berthold 161 Auerbach, Erich 30 p., 62, 63 Augé, Marc 327 Augustinus Aurelius 88, 89 Auředníček, Zdenko 126 Auředničková, Anna 188 p. B Babler, O. F. 22 p., 27 Bach, Johann Sebastian 121 Bal, Mieke 327,333,334 Balzac, Honoré de 49,63 p. Barák, Rudolf 50 p. Bareš, Gustav 228 p. BarŠa, Pavel 414 Barthes, Roland 45, 57,59, 60 Bartovský, Václav 288 Battaile, Georges 286 p. Baudelaire, Charles 269 Bauer, František 274 p. Baxa, Karel 126,130,142 Becker, Jurek 72, 79-84 Bednářová, Jitka 259 p. Beethoven, Ludwig van 122,212 p., 351 Bělina, Pavel 95 p., 102 Beňačková-Čápová, Gabriela 354 Benda, Julien 187 p. Beneš, Edvard 354 Beneš, Karel Josef 186,189-192, 202 Beneš, Zdeněk 88 p. Benjamin, Walter 22, 45,51 p., 52, 61 Berdych, Václav 236 p. Bertsch, Walter 214 Berwanger, Katrin 161 p. Beyer, Frank 79, 82, 83 p. Bezouška, Martin 401 Biebl, Konstantin 286,351 Bienert, Rudolf 214,219 Bláha, Inocenc Arnošt 143 Bláha, Josef 303 Blahynka, Milan 285-287 Blachut, Beno 214 Blanchot, Maurice 272-274 Blasetti, Alessandro 307 Blatný, Ivan 53 p. Blažek, Jiří 344-347,354,357 P- Blažek, Petr 291 Blažíček, Přemysl 289,338 Bloch, Ernst 45 Blumenberg, Hans 257,259, 263 Bočková, Marie 291 Boháč, Ladislav 206,344 p. Bohdanova, Blanka 368,369 Bóhnel, Miroslav Bedřich 192-194 Bondy, Bohumil 166 p. Bondy, Egon 280,384 Bor, Josef 71 Bor, Vladimír 248 p. Borderie, Bernard 307 p. Borecký, Jaromír 189,201 Bóme, Ludwig 161 Borowski, Tadeusz 71 Borský, Vladimír 235 Bošták, Václav 77 Bourdieu, Pierre 231, 248 Bouretz, Pierre 22 Bowler, lan 294 423 JMENNÝ REJSTŘÍK A Boyd, Partie 399 Brabec, Vladimír 379 Brecht, Bertold 48, 61 Breton, André 25 p., 56 Brežněv, Leonid Iljič 336 p. Brod, Toman 127 p. Brodskij, Josif 333 Brodský, Vlastimil 79,370,371 Broch, Hermann 64 Brtník, Václav 209 Bryant, Chad 206 p. Brynych, Eduard 126 Brynych, Zbyněk 75 Březina, Otokar 266, 274 p. Březnovský, Václav 130,165 p. Budíková, Marie 214, 215 Büchner, Georg 47 p. Burešová, Jana 295 Burian, Emil František 33, 50 p., 51,341,346, 351 Burian, Vlasta 219 p., 244 Bürger, Peter 51,52 Butler, Judith 330 Broněk, Jan 363 p. Bachtin, Michail Michajlovič 10, 22, 28 C Caldwell, John T. 227 p. Caldwell, Sarah 380 p. Cejp, Milan 304,305 de Certeau, Michel 385,393,398,399,403 Cettl, Miloš 218 Cikán, Miroslav 219 p., 238 p. Čimická, Dagmar 367 p., 369 p., 376 Cioran, Emil M. 261 p. Clauren, Heinrich 117 Codi, Stanislav 308 Colonna, Vittoria 121 Conrad-Martiusová, Hedwig 263 Coste, Didier 394,395 p., 403 Crha, Vaclav 209 Czech, Jan 367 p. Č Čajkovskij, Petr Iljič 342 p. Čapek, Jan Blahoslav 184,186,187 p., 188 p. Čapek, Josef 222, 251 Čapek, Karel 42,43, ւշ7 P-, 136 p., 143,185-187, 190-192,194, 202,351,353 P- Čapková, Kateřina 162 p. Čáslavský, Karel 346,347,354 p. Čech, František Ringo 401,402 Čechov, Anton Pavlovic 342 p., 363 Čelakovský, František Ladislav 11,108-119, 122 Čenský, Josef 208 p. Černá, Věra 22 p. Černý, Bohumil 126 p. Černý, František 206 p., 217 p., 337,363 p. Černý, Jindřich 50 p. Černý, Václav 93-95,98,102,282 Černyšev, Igor Alexandrovič 342 p., 345 Červinka, Antonín 304 Červinka, Vincenc 172 p. Česálková, Lucie 302 Čiháková, Květa 296, 304 Činátl, Kamil 91 p., 95 p., 99 p. Čočková, Helga 353 D Dalcroze, Émile 222 p. Daněk, Jiří 15 Daněk, Oldřich 247,364 Danon, Oskar 213 p. Dante Alighieri 22-27, 29,30 p., 38,49, 63,121 Davies, lan 90 p. Davy, Marie-Madeleine 261 p. Dědič, Karel 165 p. Delacroix, Eugène 23 Demi, Jakub 250 Desnos, Robert 52 p., 53 p. Destinnová, Ema 339 Deyl, Rudolf 206 Diderot, Denis 29-31 Diviš, Ivan 21 p., 54,55 Dlouhý, Miloš 300 Dlouhý, Vladimír 353 Dobiáš, Václav 351 Doblin, Alfred 44, 63 p. Doležal, Bohumil 277 p., 286 Doležal, Jiří 206 p., 219 p. Donath, Oskar 160,173,177 Donovan 399 Dostál, Jiří 214, 215 p. Dostal, Karel 206,212, 213,219 P-, 223 Dostojevskij, Fjodor Michajlovič 279 Doyle, Arthur Conan 391 Drda, Adam 100 Drda, Jan 36,73 Dreisel, Radim 351 424 KULTURA A TOTALITA IV - KAŽDODENNOST Dreyfus, Alfred 126,129,130,137,138 Drottnerová, Marta 347,354,355,357 P- Drtil, Artuš 157 Duby, Georges 44 p. Ducloux, Walter 213 p. Dunajevskij, Isaak352 Durych, Jaroslav 185,1S7 p·, 188 Dušek, Jan 368 Dušek, Václav 401 Dvořák, Antonín 121, 211 p., 344 Dvořák, František 233, 243 p. Dvořák, Ladislav 280 Dyk, Viktor 212 p. E Eco, Umberto 394 Ehlich, Konrád 167 p. Ejchenbaum, Boris 35 Eichmann, Adolf 11,69,70,75 Ejzenštejn, Sergej Michajlovič 200 p. Eisner, Pavel 185-189,196,202 Eliot, Thomas Stearns 61 Engels, Friedrich 355 Erben, Karel Jaromír 118 Erben, Václav 327 Ešpaj, Andrej Jakovievič 342 p·, 345 Everling, Friedrich Wilhelm 151 F Fábera, Miloslav 248 p., 375 p. Fabiánová, Vlasta 206 Fajfr, František 187 Famíra, Emanuel 234 p. Fedele, Cassandra 121 Feuchert, Sascha 83 Fiala, Jiří 218 p. Fielding, Henry 107 p. Fikar, Ladislav 247 Filip, František 369 p. Filipovský, František 353 Fischer, Josef Ludvík 186,187 p. Fischer, Karel 156,162,167 Fiske, John 385 Fišer, Luboš 347 p. Fixa, Jaroslav 336 p., 349 Р-, 357-359,367,376 p. Flaubert, Gustave 60,63 p. Fleming, lan 386,387,389-392,395,39» Florian, Miroslav 288 Foerster, Josef Bohuslav 339 Forman, Miloš 406 Foucault, Michel 191 p., 256 Fraenkl, Pavel 187 p. Franc, Martin 303,304 Frank, Karl Hermann 210,218,219 Frankl, Michal 162 p. Frejka, Jiří 206,212,215,216,222 p., 223 Freud, Sigmund 45,20З Fric, Josef Václav 412 Fric, Martin 219 p., 240 Fried, Jiří 313,315,318,319 Frýd, Norbert 71 Fučík, Bedřich 27 p., 5L 184,185,190, 252,253, 263, 264 Fučík, Julius 73,351 Fuchs, Alfred 172,175,187 P· Fuchs, Rudolf 188 p. G Gablásová, Dana 99 p. Gabzdyl, Emerich 345 Gajerová, Naděžda 353 Geisslová, Irma 159 p. Gellner, Ernest 408 Gellner, František 169 p. Genette, Gérard 62,387,393 p. Géricault, Theodore 23 Gérová, Irena 379 p., 380 Giraudoux, Jean 211 p. Gledhill, John 231 p. Gleich, Jaroslav 215 Glinka, Michail Ivanovic 345 Glitter Gary 384 Goebbels, Joseph 12,207 p. Goethe, Johann Wolfgang von 107,212,215, 216, 219 p-, 264 Gogol, Nikolaj Vasiljevič 33,172 p. Goldflam, Arnošt 15,70,72 Gorkij, Maxim 342 Gotlieb, František Gott, Karel 384 Gottlieb, Václav 212 p. Gottwald, Klement 36,37,57, 58,59,188 p., 300,354,396 Götz, František 186 p., 201, 223,413 Gramsci, Antonio 46 p. Grebeníčková, Růžena 10,14,15, 21,31-33, 39-43,47 P·, 50, 52, 65, 78,79, 279,326, 328-333 Greenblatt, Stephen 184 p. Grégr, Eduard 166 p. JMENNÝ REJSTŘÍK 425 Griffiths, Richard 126 p. Grigorovič, Jurij 344 Grógerová, Bohumila 280, 282, 283 Grossman, Jan 50 p., 75, 288,405,408,414, 416,417 Gundolf, Friedrich 45 H Haas, Hugo 219 p. Hájek, Jiří 238 p., 367,369, 373 P-, 377 P·» 378 Hájek, Miloš 91 Hájek, Petr 401 Halas, František 251 p., 288, 289,351 Halfacree, Keith H. 292 Haman, Aleš 19 p., 20 p., 314,315 Hamannová, Brigitte 159 p. Hammel, Pavol 400 Hampl, František 157 p. Hanč, Jan 14, 21 p., 53 p., 34 P·, 277-289 Hanč, Oldřich 281,283 Handzel, Karel 157 Hartog, François 89 Hauková, Jiřina 53 p., 280, 283 Hausenblas, Karel 26 p. Hausmann, Jiří 351 Havel, Václav 15,16,95-97,102, 280, 288,339, 356,357,405-411, 413-419 Havelka, Jiří 298 Havelková, Libuše 353 Havlíček Borovský, Karel 108 p., 142 Havlíček, Zbyněk 55 p. Haydn, Joseph 121 Heczková, Libuše 37,143 p., 326,332 p., 333 Heczko, Damián 333 Hedbávný, Zdeněk 228, 233 Heidegger, Martin 10,46,49,63 p., 286 p. Heine, Heinrich 55 p., 161 Heine, Maurice 55 p. Hejna, Jaroslav 246,247 Helge, Ladislav 232 p. Hemingway, Ernest 51 Hendrych, Jiří 244 p. Herben, Jan 126,135,156-158,162,164-166, 168,172 p. HerlolŠsohn, Karl viz Herloš, Karel Herloš, Karel 153 Herrmann, Ignát 173 Herzog, Werner 161 p., 333 Heřman, Zdeněk 21 p., 54 Heřmánek, Karel 379 Heřmánek, Miloslav 347,353 Heumos, Peter 295,309 Heydrich, Reinhardt 337 p. Hilar, Karel Hugo 220 p. Hilsenrath, Edgar 82 Hilsner, Izim 138 p. Hilsner, Leopold 125,126,130,134,136-141, 143P- Himmler, Heinrich 70 Hirschová, Jindřiška 352 p. Hiršal, Josef 20, 280,282, 283 Hite, James 292 Hitler, Adolf 214, 257 Hlaváčová, Jana 354 Hlávka, Miloš 212 p., 216,222-224 Hlávka, Petr 222 p. Hlávková, Irma 222 Hoťfmann, Kurt 307 Hofman, Eduard 229 Hofman, Vlastislav 213 p. Hofmannsthal, Hugo von 45 Höger, Karel 206,215 Hoggart, Keith 292 Holan, Otakar 358 Holan, Vladimír 289,351 Hölderlin, Friedrich 27 Holeček, Lukáš 186 p. Holland, Agnieszka 100 p. Holub, Miroslav 288 Holý, Jiří 76 Homér 62,121 p. Homoláč, Jiří 162 p. Honzík, Karel 292 Honzíková, Milena 377,380 Honzl, Jindřich 307 Hora, Josef 200 p., 351 Horák, Pavel 291 Horáková, Eva 304 Horáková, Milada 56 p. Hořčic, Miroslav 280 Horch, Hans Otto 161 p. Horkheimer, Max 61 Horníček, Miroslav 288 Horst, Bernard (vl. jm. Otakar Poupa) 12, 182-185,187 p., 189,192-203 Hořejší, Jindřich 351 Höß, Rudolf 70,75 Hostinský, Otakar 156 Hostovský, Egon 199 Houška, Josef Vojtěch 108 p. 426 KULTURA A TOTALITA IV - KAŽDODENNOST Houžvička, Josef 287 Howorth, Chris 293 Hozák, Jan 127 p. Hrabal, Bohumil 21,289,411 Hrdina, Jiří 350,357 P·, 359 Hromádka, Milan 298,305,307 Hrouda, Vladimír 343,355 Hrska, Alexandr Vladimír 192 Hrubín, František 282,351 Hrušínský, Rudolf 370,371,37^ Hrušková, Marie 291 Hrůzová, Anežka 125 Hříbková, Hana 72 p., 76 p., 79 p- Hubač, Jiří 15,369,370,372,374; 375; 376 p. Hubáček, Miroslav 232, 241 Hudeček, Václav 348 Hudek, Jindřich 238 p., 239; 240,242 Hulik, Štěpán 248 p. Husák, Gustáv 354,407 Husserl, Edmund 10,44,45; 46 p. Huysmans, Joris Karl 279 Hvízdala, Karel 407 Hynková Vrbová, Martina 101 Hýsek, Miloslav 159 p., 163 p., 175 CH Chačatur jan, Aram 344 Chalabala, Zdeněk 212 Chalupecký, Jindřich 285, 286 p. Chalupníčková, Sylva 354 Charvát, Josef 213 p. Chitnis, Rajendra A. 316 Chlíbcová, Milada 330,333 Choderlos de Laclos, Pierre Ambroise François 107 Chocholoušek, Prokop 153 Churchill, Winston 82 Chválová, Olga 377 p., 380 p. I Iggersovà, Wilma 158 p., 176 p. Iltis, Rudolf 78 J Jablonský, Boleslav 154 Jacques-Dalcroze, Émile viz Dalcroze, Émile Jagger, Mick 399 Jakobson, Roman 38,40 Jakubowska, Wanda 71 Jan z Hvězdy 107,153 Janáček, Leoš 339,341,342,351 Janáčková, Jaroslava 108,161 Janda, Bohumil 192,i94p·, 203 Janda, Jiří 297 Jankélévitch, Vladimír 265 p. Janoušek, Pavel 313, 314,319, 320 Jasjnkojtis, K. 157 Jedenáctík, Vladimír 214,215 Jedlička, Benjamin 191 Jedlička, Josef 10,19-41,43 P-, 48-55, 56 p., 57-62, 65 Jech, Karel 295 Jenčík, Joe 212 p., 213 p., 214 Jernek, Karel 339 p., 345 Jerneková, Klára 353 Jílek, Jan 364-367, 371,374,376 Jílovec, Jaroslav 244 Jirásek, Alois 211 p., 339,341,346 p. Jirous, Ivan Martin 251 John, Jiří 77 John, Radek 401 Joyce, James 43, 61-64,175 Jung, Carl Gustav 220 Jung, Josef 349,350 P- Jungmann, Josef 45 P·» 117 Jungmann, Milan 313,314 Juřík, Vladimír 305 Just, Vladimír 206 p., 222 p., 224 p., 336,410 p. K Kabíček, Josef 346 Kadaňka, Jiří 347 p. Kadlecová, Erika 91 Kafka, Franz 48, 57,61, 65,72, 75,151,176 p., 188,228,280,286 p., 417 Kainar, Josef 351,384,400 Kaízr, Miloslav 357-359 Kalandra, Závis 56 Kalinová, Lenka 295 Kamenický, Jindřich 214 Kanner, Heinrich 128 p. Kaplan, Jan 218 p. Karásek ze Lvovic, Jiří 188 p. Karfík, Vladimír 20 p., 21 p. Karel 1.126 Karen, Bedřich 206,215,219-222 Kárný, Miroslav 77 p. Kaška, Václav 230 p. Kašlík, Václav 344 Kassowitz, Peter 79 JMENNÝ REJSTŘÍK 427 Kecskeméti, Paul 188 Kemr, Josef 370,371 Kieval, Hillel J. 153,158 p., 163 p., 165 p., 166 p. Klášterský, Antonín 287 Kleinerová, Antonie 56 p. Klicpera, Václav Kliment 118 p. Klíma, Ivan 20 Kliment, Alexander 19,20 Klímová, Marie 126 Klineberger, Bohdan 170 Klos, Elmar 228,229 p., 232 Klügerová, Ruth 84 p. Knap, Josef 187 p., 192 p. Knapík, Jiří 229,233,238 p., 240,303,338 p. Koblasa, Jan 406 Koblitz, Andreas 158 p. Kocáb, Michael 327 de Коек, Paul 117 Kočí, Přemysl 346 Kočová, Zuzana 50 p. Kodíček, Josef 172,173,175 Kohn, Jindřich 151 Kohout, Eduard 206,215,216,221 Kohout, Karel 229,238 Kolár, Josef Jiří 107 p., 108-110,118 p., 120-122 Kolářová, Eva 364 p. Kolář, Jan 248 p. Kolář, Jiří 20,53 p., 79,280,282,284 p., 288, 289 Kolář, Václav 201 p. Koloc, Miroslav 330 p. Komárek, Jan 251 p. Konečná, Hana 206 p., 363 p. Kopecký, Jan 206 p., 363 p. Kopecký, Václav 233, 238 p., 239,302 Kör per, Miroslav 156 p. Kosík, Karel 10,34» 45~49»52» 283 Kosseleck, Reinhart 90,92 Kossuth, Lájos 165 p. Kostka, Petr 353 Kotrba, Miroslav 297 Koucký, Jaroslav 247 Kovárna, František 187,189,200 Kovář, Oldřich 214 Kovařovic, Karel 340 Kovtun, Jiří 126 p. Kracauer, Siegfried 45 Král, Jaroslav 349 p. Král, Václav 300 Kramerius, Václav Rodomil 108 p. 428 Krásnohorská, Eliška 212,214 Krátká, Lenka 97 Krátký, Radovan 76 Kraus, Jiří 127 Kraus, Karl 176 p. Kraus, Vlastimil 176 p. Krause, H. H. 188 Krejča, Otomar 346 Krejčí, Iša 213 p. Krejčí, Jaroslav 214 Krejčík, Jiří 240 Krejčová, Helena 169 p. Kreuzmann, František 215 Kronawetter, Ferdinand 126 Kroupa, Adolf 53 p. Kroutvor, Josef 333 p. Krulišová, Jarmila 353 KřiŠťan, František 300 Kříženecká-Dubská, Milada 197 p. Kubálek, Michal 291 Kubásek, Václav 235 Kuběna, Jiří 280 Kučera, Jaroslav 327 Kučera, Martin 127 p. Kučera, Václav 347 p. Kuh, David 164 Kuh, Moses Ephraim 161 Kupka, Jiří Svetozár 395-399» 402 Kůra, Miroslav 347 p. Kural, Václav 218 p. Kůrová, Jana 354,357 p. Kusáková, Lenka 122 p. Kvapil, Josef M. 206 p., 208 p. Kysela, František 212 p. L Lachmannová, Renate 35 Lamač, Karel 219 p. Landa, Antonín 344 Laurin, František 358 p., 364 p., 367 Lautréamont, Comte de 52 Le Goff, Jacques 44 p. Lebeděv-Kumač, Vasilij Ivanovic 352 Lederer, Eduard 160 p., 161 p., 166 p., 169 p., 170,176 Lefebvre, Henri 46 p., 175,393» 394 Leiter, Vojtěch 248 p. Lenin, Vladimír Iljič 56, 58,251 p,, 337-34°, 342,345,346,355 KULTURA A TOTALITA IV - KAŽDODENNOST Levi, Primo 71 Lhoták, Kamil 288 Liehm, Antonín Jaroslav 232 Liessmann, Konrád Paul 12,184 Lindbergh, Charles 28 Linhart, Lubomír 236 Linhartová, Věra 21 Link, Jürgen 328,329 Littell, Jonathan 69 Lobkowicz, Nikolaus 265 Longos 60 Lopatka, Jan 21 p., 277,279, 288,314 Lošťák, Radoslav 365,373 Lucas, George 96 Lueger, Karl 165 p. Lukács, György 25,46 p., 62 Lukavská, Klára 377 p., 378 p. Lukavský, Radovan 353,368,377 p., 378 p., 379-381 Luťanský, Ivan 378 p., 379,380 M MacDonald, Callum 218 p. Macek, Antonín 351 Macourek, Miloš 288 Macura, Vladimír 24,25,58 p., 329 p., 338, 339 p., 406,411,412,419 Mačas, Dominik 277 p. Mähen, Jiří 188 p. Mácha, Karel Hynek 14,15, 26, 29,38,39,49, 56 p., 326,329-333 Mácha, Michal 49 Macháček, Miroslav3ó3 p., 364 p., 377 p. Macháček, Oldřich 238,239,243 Machar, Josef Svatopluk 156 Machatý, Gustav 307 Macholda, Josef 240 Machonin, Sergej 371 p., 381 Majakovskij, Vladimir Vladimirovič 40, 50 p., 56,34Ն Յ46 Majerová, Marie 202,350 Málek, Petr 23,76 p., 186 p. Málek, Prokop 364 p. Malý, Jakub 108 p. Malý, Radek 72 Mandaus, Luděk 213, 214 Mandelštam, Osip 26 Marek, Jiří 244 Maria, Jaroslav 201 Maritain, Jacques 187 Martínek, Vojtěch 172 Martinů, Bohuslav 351 Marx, Karl 46,47,355 Masaryk, Tomáš Garrigue 12, 94,124-145,156, 164 p·, 172,186 p., 187,354 Máša, Antonín 377-379 Mašek, Jaroslav 350 Mathauser, Zdeněk 33 p., 35,36,332 Mathesius, Bohumil 33 Matula, Antonín 194 p. Matulová, Vlasta 353 Mazáčová, Barbara viz Topolová, Barbara Mazalová, Růžena 344 Medřická, Dana 347,353-355,365,366,376 Medvecká, Taťjana 353 Meletinskij, Jeleazar Moisejevič 61 Melikov, Arif 344 Mencl, Vojtěch 91,92 Merhaut, Luboš 127 Merta, Vladimír 400 Mervart, Jan 47 p. Mihaileanu, Radu 72 Mika, Zdeněk 238 Miller, Henry 286 p. Mišík, Vladimír 384,400 Miškovský, Josef 159 Mixa, Josef 337,342,345 P·, 346-356, 357 P-, 359 Molière 212,213,216 Moravec, Bohumil 297 Moravec, Emanuel 210, 214, 218, 219, 222 Moser, Bedřich 108 p. Mozart, Wolfgang Amadeus 49,121,122 Mrkvička, Otakar 251 p. Mrňka, Jaroslav 295 Mrštík, Alois 212 Mrštík, Vilém 156, 212 Mukařovský, Jan 29 p., 416 Müller, František Jan 192 Müller, Karel jr. 408 Münz, Sigmund 128 Musil, Robert 44 Musorgskij, Modest Petrovič 344,345 Muzika, František 212 N Nachtmanová, Hana 354 Napoleon I. Bonaparte 121 Nasková, Růžena 206 Neckář, Václav 400 JMENNÝ REJSTŘÍK 429 Nedbal, Karel 213 p. Nedošinská, Antonie 217 p. Nejedlý, Zdeněk 200 p., 210,232,341,368 Nekula Marek 162 p. Němcová, Božena 119,121,161,173,339,340 Němeček, Jiří 344 345,349 p. Neruda, Jan 11,108-110,113,116-120,122,162, 17Յ, 339 Nesvadba, Miloš 353 Neubauer, Jaroslav 240 Neumann, Birgit 327 Neumann, Stanislav 217 p. Neumann, Stanislav Kostka 286,351 Neveux, Georges 211 p. Nezval, Jaroslav 340,350 Nezval, Vítězslav 33,184,185,286,287,351, 355 Nietzsche, Friedrich 143 p., 265,266,268,269 Noha, Jan 352 Nohejl, Marek 44 p. Nokės, Jeffery D. 89 p. Nolte, Ernst 264 p. Nono, Luigi 380 p. Novák, Arne 30,188 p., 201,202 Novák, Rudolf (pseud. Jiří Argus) 209 Novák, Vítězslav 211 p. Novák, Vojta 213 Novomeský, Laco 351 Novotný, Josef Alois 248 p. Nový, Oldřich 228 Nünning, Angar 327 p. O Obzina, Jaromír 349,350 p. Olbracht, Ivan 184 Opelík, Jiří 21,29,53 Oslzlý, Petr 4Ո Ostrčil, Otokar 212 p. Otáhal, Milan 91 Otava, Zdeněk 217 Otruba, Mojmír 29,153,154 p., 158,162 p., 172 p. Otte, Irmgard viz Hlávková, Irma Ouřadová, Dagmar 367 p., 369 p. P Padevět, Jiří 206 p., 218 p. Pagels, Elaine 262 p. Palacký, František 95 P·, 121,165 P-, 412,4*3 Palach, Jan 100 p. Palestrina, Giovanni Pierluigi da 121 Palivec, Josef 56 Palouš, Martin 409,410 Papoušek, Vladimír 20,184 p. Páral, Vladimír 313,314,319-324 Páteřová, Jana 365,366 Patočka, Jan 25,44 Р-, 131 409 412-414 Pattai, Robert 137 Pauer, Jiří 349 p., 350 p., 35L 357-359,365 Pauza, Miroslav 46 p. Paži, Margarita 161 p. Pecina, Bohuslav 300 Pelíšek, Václav 244 p. Penížek, Josef 154,155 Peroutka, Ferdinand 187 p., 351,355 Perutka, Jaroslav 247 Pešat, Zdeněk 53 p. Pešek, chirurg 283 Pešek, Ladislav 206,212 p., 215, 216,221 Pešková, Hana 368 Pešková, Jaroslava 411 Petišková, Ladislava 380,381 Petrov, Michal 101 Petrová, Eva 53 p. Petrovická, Jiřina 353 Picard, Max 257,258 Picasso, Pablo 51 Písařík, Vojtěch 379 Píša, Antonín Matěj 192 p·, 195 Pithart, Petr 97,408-412 Pittermannová, Marcela 248 p. Pivec, Jan 206,241 Plaček, V. 234 p. Plachá, Lída 353 Plautus, Titus Maccius 212,216,222 Pleskot, Jaromír 365,366 Podhorský, Aleš 212 Podhůrský, Zdeněk 353 Podskalský, Zdeněk 406 Podvalová, Marie 215 Pogodin, Nikolaj Fjodorovič 340,348 Pochop, Zdeněk 313 Pojar, Miloš 131 Pokorný, František 347 p. Pokorný, Jiří 231 p. Pokorný, Martin 27,63 Pokorný, Rudolf 159 Polák, Josef 77 p. Polák, Robert 212 p. Polák, Stanislav 131 p. 430 KULTURA A TOTALITA IV - KAŽDODENNOST Polák, Vlastimil Artur 80 p. Ponc, Miroslav 212 p., 222 Pravda, František 119 Procházka, Jan 246, 247 Procházka, Jaroslav 206 p. Procházka, Jiří 351 p. Procházka, Vladimír 371 Procházková, Jaroslava 166 p. Prokofjev, Sergej 342 P-, 344,345, 349 P- Prokop, Michal 400 Prokop, Pavel 200 Prošková, Hana 313,314 p., 318,322 Proust, Marcel 43 Průcha, Jaroslav 206, 216 Pšeničková, Jana 291 Pujman, Ferdinand 206, 212, 215 Puj manová, Marie 347,331,354,355 Pullmann, Michal 90,93 p., 94 p., 97,102,103 Purš, Jaroslav 92 p. Puškin, Alexandr Sergejevič 49,51 Putna, Martin C. 407,409 Pyrjev, Ivan 300 Q Quatro, Suzi 384 R Radimský, Květoslav 236 p. Rádi, Emanuel 187 Radok, Alfréd 71,75, 228, 232,327,342,377, 417 Radomyslenskij, Jevgenij Venjaminovič 348 Raffel, Vladimír 200 p. Rajzman, Julij 300 Rak, Jiří 414p. Rákosník, Jakub 304 Rakous, Vojtěch (vl. jm. Adalbert Österreicher, též Östreicher) 12,151-164, 166-176 Ransdorf, Miloslav 405,409 Rašilov, Saša 217 p. Rázlová, Regina 353,367 Ráž, Vladimír 353 Ráža, Ludvík 345 Reeves, Keanu 96 Reinl, Harald 307 Renč, Václav 216,251 Rezek, Petr 405,409 Richards, Keith 399 Richardson, Samuel 107 Rilke, Rainer Maria 188,274 Rimbaud, Arthur 51 Robeson, Paul 33 Rohling, August 165 Rokoský, Jaroslav 291,294 p. Rossini, Gioacchino 121, 212, 213 Rosůlek, Jan Václav 189 p., 192,194,199 Rothmayerová-Horneková, Božena 197 P* Rouček, Rudolf Roučka, Zdeněk 218 p., 346 Rousseau, Jean Jacques 107 Rubeš, František Jaromír 108-110,112,114, 118 Rumler, Josef 153 Rund, občan 141 p., 142 p. Rúta, Karel 234,238 p. Rutte, Miroslav 186 Růžek, Martin 353,355, 370,371 Rybák, Josef 351 Rykr, Zdeněk 200 p. Rzounek, Vítězslav 15,336,338,342,345 p., 346,348,350-35Յ, 354-359 Ř Řanda, Čestmír 353 Řepa, Vladimír 241 Řezáč, Tomáš 410 Říha, Alois 214 S Sabina, Karel 29 p., 213 de Sanctis, Francesco 30 p. Sand, George 119 p. Sanišvili, Nikolaj Konstantinovič 300 Sartre, Jean-Paul 286 p. Saudek, Emil 168,171 Sedlák, Jan Vojtěch 202 p. Seidel, Jan 346,351 Sekanina, František 207, 208, 209 p. Sekanina, Ivan 207 p. Sekyrová, Kateřina 378,380 p. Selver, Paul 188 p. Sequens, Jiří 242, 244 Seydl, Zdenek 78 Sezima, Karel 173,188 p., 201, 202 Shakespeare, William 63,70, 212 p., 378 Schaffner, Franklin J. 307 Schauer, Hubert Gordon 164 p. Scheinpflugová, Olga 206 Schelinger, Jiří 401,402 p. JMENNÝ REJSTŘÍK 431 Schiller, Friedrich 412,413 Schindler, Otakar 371 Schnitzler, Arthur 171 Schnur, Petr 409 Schorm, Evald 327,377,379 p., 380 Schorske, Carl E. 159 p. Schulz, Winfried 298,299 Schütz, Alfred 44 p. Simmel, Georg 45 Singer, Isidor 128 p. Sirotek, Emil 380 Skála, František 333 p. Skála, Ivan 75,351 Skalla, Pavel 283 Skilling, Gordon H. 131 p. Skopal, Pavel 307 Skoumal, Aloys 39 Sládek, Jan 213 p. Sladkovský, Karel 412 Slánský, Rudolf 51,239 Slavínský, Vladimír 238 p. Smetáček, Zdeněk 187 p. Smetana, Bedřich 210,211 p., 212-215,218 p., 221,222,339,340,344 Pv 351 Smolík, František 206,217 p. Sochorovská, Valeria 376 Solecký, Vladimír 377 p., 381 Sorkin, David 161 p. Soukup, František 133,134 Spielberg, Steven 71 Srba, Bořivoj 206 p., 219,222 p. Sruk, Marija 85 Stalin, Josif Vissarionovič 51,55,251 p., 339, 340 p., 341,354 Starý, Josef 300 Stehlíková, Eva 411 Steiman, Michal 213 p. Stein, Ludwig 161 Steiner, Petr: 38 p. Steklý, Karel 235 Stendhal 63 p. Sterne, Laurence 31,33,36,39» 332 Stieber, Mirko 363 p. Stierle, Karlheinz 52 Stöger, August 118 p. Strachota, Karel 100 Straka, úředník 358 Strindberg, August 279 Strnad, Jiří 369 p. Strobach, Antonín 330 p., 333 Stromšík, Jiří 81 Stroupežnický, Ladislav 210,212,215 Střecha, Josef 218 p. Stříbrný, Jiří 240 Studený, Antonín 298,305,307 Sturges, John 307 Sucharda, Vojta 211 Suchomel, Milan 21,23,60 p., 65,314,3*5» 316 p.,318 p.,319» 322 Suk, Jiří 405 Suleiman, Susan Robin 79 Svašek, Maruška 231 p. Svatoň, Vladimír 43 p. Svatoňová, Kateřina 37,326,327,332 p., 333 Světlá, Karolina 163 p., 214,339 Svevo, Italo 42,43 Svoboda, Jaromír 366,367 Svoboda, Josef 347 p., 377,380 Svoboda, Libor 291 Svoboda, Ludvík 375 p. Svolinský, Karel 213 p. Szczepanik, Petr 229 p. Š Šalda, František Xaver 19 p., 143» 200 p., 351, 355» 4H Šarlih, Karel 201 p., 202 p. Šejbalová, Jiřina 215 Šimáček, Oldřich 365 Šimečka, Milan 97 Šimek, Milan 302,304,306,307 Šimůnková, Eva 351 p. Šklovskij, Viktor 28-38,48,332» 333 Škvor, František 213 p. Škvorecký, Josef 72 Šlejhar, Josef Karel 25,199,201 Šmeral, Bohumír 138 p. Šmída, Bohumil 243 p., 244 Šotola, Jiří 358 p., 366-368,372-374 Šourek, Karel 284-286 Špirit, Michael 329,330 p., 332 p. Šrámek, Fráňa 213,369 Štejn, Alexandr Petrovič 341 Štěpánek, Zdeněk 206,213 p., 217,223 P· Štoll, Ladislav 200 Štoll, Martin 305 Štros, Ladislav 345,349 p. Štýrský, Jindřich 192,193,198 Šulc, Viktorin 381 Švabinský, Max 51 432 KULTURA A TOTALITA IV - KAŽDODENNOST Švankmajer, Jan 327 Švankmajerová, Eva 327 Švehla, Karel 214 Švorc, Václav 346 p., 349,350,357,35S, 365 Švorcová, Jiřina 337 p., 346 p. T Táborská, Jiřina 329 p. Tacitus, Publius Cornelius 121 Tahy, Ctibor 301,306 Talich, Václav 211,212 p., 213 p. Tauber, Jan 302,304,305 Taufer, Jiří 351 Taussig, Ervin 172 Tesař, Jan 412 Teytz, Viktor 164 Theer, Otakar 136 p. Thein, Hanuš 213 p. Thukydides 121 Tikalová, Drahomíra 215 Tille, Václav 200 p. Tilly, Jan Tserclaes 121 Tippner, Anja 54 Toman, Ivo 300 Toman, Jindřich 162 p. Toman, Ludvík 248 p. Toman, Miroslav 308 Topol, Jáchym 72 Topolová, Barbara 38 p., 344,348 Tošovský, Petr 380 p. Trávníček, Mojmír 239 p. Trnka, Jiří 212 p. Trockij, Lev Davidovič 28, 54, 55 Třebízský, Václav Beneš 172 Tuček, Petr 308 Tůma, Karel 173 Turgeněv, Ivan Sergejevič 377 p. Turnovský, J. 153,154 Tvrzníková, Jaroslava 367 Tyl, Josef Kajetán 11,107-110,112-120,122,153, 163 p., 411 U Uher, Josef 157 Urban, Milo 203 Urban, Stanislav Ivan 247 Urbánek, Zdeněk 277, 278 p., 282 Urbášek, Pavel 93 Ursiny, Dežo 400 V Vachek, Emil 200 p. z Valdštejna, Albrecht Václav Eusebius 121 Valeš, Lukáš 308 Vančura, Vladislav 184,199 Vaněk, Jan 197 p. Vaněk, Miroslav 93,97,98, 99 p. Váradi, Klára 302 Varvařovský, Ivan 236 p. Vašák, Čestmír 153 Vašák, Pavel 326,330 Vašata, Rudolf 212-214 Vašinka, Radim 288 Vávra, Otakar 227, 236, 248 p., 375 P- Věchtová, Božena 330 p. Velda, Josef 353 Velemínský, Karel 172 Veltman, Alexandr Fomič 33 Vergilius, Publius Maro 63 Veselý, Antonín 198 Veverka, Jaroslav 215 Vích, Bohuslav 218 p. da Vinci, Leonardo 270 Višněvskij, Vsevolod Vitaljevič 341 Vít, Karel 238 p. Vladislav, Jan 258 Vladyka, Ladislav 192,194 Vlček, Vladimír 242, 245 Vlčková, Věra 206 p. Vodák, Jindřich 158 p., 169,172 p., 173-175» 190,191 Vodička, Felix 200 p. Vodsedálek, Ivo 280 Voegelin, Eric 409 Vohryzek, Josef 160 Vohryzek, Viktor 131 p., 166 p., 170,171 Vojan, Eduard 339,341 Vojvodík, Josef 183 p. Vokolek, Vladimír 257 Volavková, Hana 73 p., 77 Vondráčková, Helena 384 Vondruška, Pavel 354 Voráček, Jaroslav 351 p. Vorlíček, Václav 248 p. Voskovec, Jiří 219 p. Vostárek, Ladislav 402 Vostrá, Alena 313,315,317,318,322-324 Vott, Jaroslav 208 p. Vrba, Rudolf 166 p. Vrchlický, Jaroslav 121 JMENNÝ REJSTŘÍK 433 Všetička, František 315 p., 316 Vučka, Tomáš 222 p., 224 p. Vydra, Václav 206,216 Vymětal, Ladislav 370 W Wachovski, Andrew 95 Wachovski, Larry 95 Wachsmann, Alois 213 p. Wedekind, Frank 279 Weigl, Petr 347 p. Weilová, Simone 260-263 Weil, Jiří 41,42,7L 72 73 p., 74՜79; 81, 83 Weiner, Richard 186,187 Weiss, Jan 199 Werich, Jan 219 p.։ 240,244 Wiedemann, Andreas 293 Wiendl, Jan 251 p., 264 p. Wild, Václav 26 p. Williams, Robin 79 Willner, Roland 231 p. Wilson, Paul 284 Winder, Ludwig 188 Winter, Gustav 188 p. Wolker, Jiří 351,355 Woolfová, Virginia 62 Y Young, James Edward 85 p. Z Zábrana, Jan 23 p., 32 p., 50 p. Zábranský, Jiří 234 p. Zahradníček, Jan 13,27,250-266,268-271, 273; 274 Zahradníčkové, Marie 250 Zahradníková, Marie 166 p. Zapletal, Zdeněk 401 Zápotocký, Antonín 340,346 Zappa, Frank 400 Závada, Vilém 351 Zelenka, Ilja 347 p. Zelenka, Jan 401 p. Zelinka, Vojtěch 194 p. Zeman, Bořivoj 244 Zeman, Milan 329 p. Zika, Josef R. 218 p. Zimmermann, Clemens 292 Zinnemann, Fred 307 Zinověv, Grigorij 55 Zola, Emile 49,132,133; 138 Zoula, Norbert 351 Zíingel, Emanuel František 212 Zvoníček, Stanislav 248 p. Ž Žídek, Ivo 354 Žižka, Jan 121,341 434 KULTURA A TOTALITA IV - KAŽDODENNOST
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spellingShingle Kultura a totalita = Everydayness
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title Kultura a totalita = Everydayness
title_auth Kultura a totalita = Everydayness
title_exact_search Kultura a totalita = Everydayness
title_full Kultura a totalita = Everydayness 4 Každodennost Ivan Klimeš ... (eds.)
title_fullStr Kultura a totalita = Everydayness 4 Každodennost Ivan Klimeš ... (eds.)
title_full_unstemmed Kultura a totalita = Everydayness 4 Každodennost Ivan Klimeš ... (eds.)
title_short Kultura a totalita
title_sort kultura a totalita everydayness kazdodennost
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topic_facet Aufsatzsammlung
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