Verfügbarkeit: Soundless impressions

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Bibliographische Detailangaben
Titel:	Soundless impressions poems
Von:	David Jaffin
Person:	Jaffin, David 1937-2024 Verfasser aut
Hauptverfasser:	Jaffin, David 1937-2024 (VerfasserIn)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	Bristol Shearsman Books [2016] Schwarzenfeld Edition Wortschatz [2016]
Online-Zugang:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029259777&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Beschreibung:	391 Seiten
ISBN:	9781848614000

Internformat

MARC


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245	1	0	\|a Soundless impressions \|b poems \|c David Jaffin
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Datensatz im Suchindex

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adam_text	CONTENTS IF ONLY TIME 25 ONE CANT 25 R. H. 25 CROCODILE 26 THESE NEWLY- 26 PARASAIL 26 ART QUESTIONS (12) 27 A) WHY HAS PAIN 27 B) WHY ARE RAPH 27 C) WHY ARE GRUENE 28 D) HAS THE LIGHT- 28 E) HOMMAGE H DIDI HUBERMAN 29 F) WHY HAVE ART- 29 H) IF REMBRANDT* 30 I) WHATS THE 30 J) ODE H RUSKIN 30 K) WAS/WHY 31 L) HAS ABSTRACT 31 M) WHY HAS 32 RAILED-BALCON 32 EMOTIONAL 33 SHADOW 33 CLICHE 33 CARD PLAYERS (3) 34 A) GEORGES DE 34 B) WITH CEZANNE 34 C) PASSING THE 34 FOR ROSEMARIE 35 SHE TOO-MUCH 35 NEW FRIEND 36 WITH THANKS 36 SHE COULDN* 36 A) HE WAS THAT- 37 B) TOO-MUCH BE 37 INTIMACY 38 WITH THANKS (3) 38 A) WITH THANKS (AGAIN) 38 B) TO W W 39 C) AND MOST- 39 AGING (5) 40 A) IF THERE* 40 B) WHEN THE 40 C) THOSE CONSTANT 41 D) THE DAILY 41 E) DESPITE DE 41 NOT-THE-DOCTOR* 42 THOSE-WHO- 42 LOW-TIDE (5) 43 A) FEEDS ON 43 B) LOW-TIDES 43 C) LOW TIDE* 43 D) WHEN WALKING- 44 E) WHEN THE 44 WIND-TRAC 44 WAS HE HID 44 TIME-SITTING 45 A) STREET LIGHT 45 B) TOTEM-POLES 45 FOR CORINNE AND TOM 46 TOM 46 LILY?. 46 PELICAN 47 DEAD-ENDS (6) 47 A) THERE MUST- 47 B) THE STORMS 48 C) WHERE MAN 48 D) WHERE EVEN 48 E) KINGDOM-OF- 49 F) WHAT HAPPENED 49 TWO UNFORGIVEABLE SINS (2) 49 M. P. (5) A) DON T EVER 60 60 A) OF JUDGING O 49 B) NO ONE 60 B) OF A SELF 50 C) SHE ONE OF 61 G. B. (FOR TONY) 50 D) STELLA THAT 61 N .D . 50 E) PLACES AS 61 CAN THOUGHT 51 LITTLE THING 62 LIFE-WORTHY 51 HEAD-OVER- 62 ITS OFTEN 52 ONLY AFTER 62 IS LOVE 52 GLASS- 63 THIS ONCOM 52 AS A CHILD 63 FLAT-SAND* 53 SNOW OVER 64 SHUFFLE- 53 THOSE BEACH 64 LINDA CHILD 53 HE DIDNT 64 PREPARED (4) 54 SHED AL 65 A) CAN ONE BE 54 WHY IF THE 65 B) CAN ONE BE 54 SENSED-DOWN 66 C) CAN ONE BE 54 THE GREAT 66 D) AS THERE* 55 A) HAS PERSECUT 66 MOMENTS (6) 55 B) THE CHURCH 67 A) AT WHAT MO 55 IT RAINED 67 B) WHEN DOES A 55 THE MOST POWER 67 C) CAN TIME BE 56 THOSE SPEECH 68 D) WHEN A POEM 56 WHEN THE TRO 68 E) WHEN DEATH 56 AT THE WAR* 69 SS IT MAY 56 IDENTICAL 69 THE WIND IN THE WILLOWS (2) 57 MANGROVE SUNSET-CRUISE 70 70 A) THAT CHILD- 57 CALOOSA (5) 71 B) WHERE AESOP 57 A) AN INDIAN FOLK 71 AMERICA (4) 57 B) THE SPANIARD 71 A) A NATION 57 C) IT S THE 72 B) THE RED 58 D) WHEN MYTH AND 72 C) EVEN THE 58 E) FOR WARREN 72 D) THE-FIEE- 58 CLOUD 73 THESE SOFT 59 HE ONLY 73 REBECCAS 59 EVERY CREAT 74 ITS THOSE 74 E) PRE-RUBEN 81 POEMING THE 75 ON THE TRAIN (4) 87 THOSE DEATHLY 75 A) MORE WINDOW 81 LOW TIDE 76 B) THESE WINTER 81 AT SEA A 76 C) UNCONSCIOUS- 88 NEW MEXICO (4) 76 D) HIS EYE 88 A) NEW MEXICO 76 WHAT COULD AP 89 B) NEW MEXICO 11 AMERICA (2) 89 C) THE CALL OF 11 A) AMERICA 89 D) WHAT STEPHEN 18 B) AMERICA* 90 AS IF THE 78 ARE HOUSE 90 THE POEM AS 78 WALLS CAN BE 91 SHE SPORTED 79 DO BIRDS 91 MILD RAIN 79 A) BOATS MAY 92 ARE UNSEEN 79 B) COOL SHEET 92 RESTLESS 80 C) SPRING S FIRST 92 A) CAN ONE 80 D) RAPHAEL 93 B) THESE TIME- 80 ARE THE SEA 93 C) THE PIER 81 A) ARE DREAM 93 SHE HAD A- 81 B) DOES A POEM 94 SUNGLASS 81 C) FEAR MOST-OF- 94 ON THE TRAIN (8) 82 D) WILL THE 95 A) AS IF TIME- 82 JEWS (4) 95 B) SNOW-PAUSE 82 A) HAVEN* 95 C) ONLY A LONE 82 B) ARE WEJEWS 96 D) THIS LATE 83 C) THEY ONLY BE 96 E) TRAIN 83 D) BERLIN U 96 F) WOODED-ENCLOS 83 HIS SECRET-E 91 G) THESE HILL 84 THE PROPHET 97 H) THE SLEND 84 A ROOM OF 98 IS SPRING 84 B) WHATEVER 98 A) JACOB V. RUIS 85 C) OURFAMILY BE 99 B) VAN GOYENS 85 D) BRIGADOON 100 C) RUBENS PORTRAIT 86 E) CAN WE READ 100 OF A CAPUCHIN MONK F) HEIR 101 (1635) 86 CRITICS 102 D) THOSE 2ND RANK 86 FOR ROSEMARIE 102 THE FLOUNDER 103 A) PERHAPS THE 103 B) BEES HONEY 103 C) WHY DOES A 104 D) DOES THE ZEBRA 104 E) CATS 104 SS ZOOED-ANIMAL 105 D) ARE THOSE 105 E) POWDER AND 105 WHEN ANIMAL 106 CLASSICISM 106 INSPIRING 106 THIS LATE 107 BETTER PRE 107 DVOFAEK OP. 51 (QUARTET SLOW MVT.) (2) 108 A) ONE MUST HAVE 108 B) DUMKY 108 HAYDNS SUBLIME OP. 76,5 (SLOW MVT.) (2) 109 A) CAN-BE-PLAY 109 B) PRESTO 109 BEETHOVEN 110 GLIB* 110 THIS LATE 111 NEW HOUSE 111 WAS IT THE 112 10 VARIATIONS ON A SELF-SAME THEME (10) 112 A) SHE WAS LIKE 112 B) SHE BECAME SO 113 C) THOSE WIND 113 D) SOME PERSON 113 E) SHE BECAME 114 SS SHE BECAME- 114 G) WHERE-FROM- 114 H) WE-KNEW-HER- 115 I) ARE SUCH 115 J) SOMETHING O 115 WITH EACH 116 HE COULDN* 116 IS THIS SO 116 ARE THESE 117 TIME SENSE (3) 117 A) WHEN WE SAT 117 B) CAN THE 118 C) CAN WHAT 118 IF THERE* 118 FOR GEORGE 119 FOR GEORGE (AGAIN) 119 THE POEM RE 120 SOME MUSIC 120 A) THIS DARK* 121 B) SHE LAY 121 C) HED BEEN 121 D) THIS MOON 122 E) IF THERE 122 A LONE CAT (3) 122 A) A LONE CAT 122 B) A LONE CAT 123 C) WHY HAS THE 123 AROUND THAT 123 SUN RIS 124 FOR ROSEMARIE (3) 124 A) THERE SHOULD 124 B) HOW SUBTLE 124 C) THE SOOTHING 125 AS A POLONIUS 125 PAVEL HAAS QUARTET 3 (1938) 126 A) TULIPS 126 B) BLUEBELL* 126 BEETHOVENS 7TH (4) 127 A) DID THAT 127 B) ALLEGRETTO 127 C) THE PRESTO 127 D) THE FINALE 128 CHOPINS E MINOR PIANO CONCERTO 128 CHOPIN 128 KIT ARMSTRONG* 129 FLOAT 129 A NAKED 129 AFTER THEODORE FONTANE* 130 AGING MAY BE 130 HOMIHUS* 130 HIGH TIDE 131 WOMAN WITH FAN (SEEHAUS 1914) 131 LITHELY- 132 THE LOWLY 132 DOESNT 132 ASIDE 133 WHEN PERSON 133 HE WAS LIKE 133 THIS EARLY 134 PRE-MEDITAT 134 FOR ROSEMARIE 134 AS A FLOW 135 MODERN 135 (THE PROCESS) 135 SOME CRITIC 136 IF EACH DAY 136 BLUE 136 BARTOK 137 PRE-TIMED 137 WHEN UNCERTAIN 137 WHATS TO 138 ISRAEL 138 BIRCH 138 SPRING 139 OUR FRIEND 139 IF LIFE 140 PLANNING 140 FROM WUTHERING HEIGHTS (FILM) (3) 141 A) WHEN HE KNIFI 141 B) WHEN MAN BE 141 C) SHE MUST 141 BEETHOVEN PIANO QUINTET WITH WINDS OP. 16 142 C. STAMITZ WIND QUARTET OP. 8#2 142 MOZART PIANO QUINTET WITH WINDS K. 452 LARGHETTO 142 POEMS FROM THE CHINESE (FOR NEIL) (5) 143 A) ZHAO MENGFU 143 B) MA YUAN (ATTRIBUTED) 143 C) ZHAO MENGJIAN 144 D) MA LIN 144 E) WANG MENG 144 CHUNG 145 THEIR HOUSE 145 SHE LED A 145 WUTHERING HEIGHTS 146 TIME CONDEN 146 TIMES IN 146 IF THERE* 147 CHRISTMAS 147 DAILY 148 IFBUTTER 148 POEMS FROM THE CHINESE (2) 148 A) MA YUAN 148 B) HUAN GONGWANG 149 PRAYER (5) 149 A) WHEN LISTEN 149 B) CHINESE ART 150 C) I AND THOU (BUBER) 150 D) SILENCE 150 E) WHERE LOVE 151 PAGAN POETRY 151 THIS EARLY 151 SHE WINDOW 152 FOR ROSEMARIE 152 STILL LIFE 152 AFTER THE CHINESE MOZARTS GREAT G MINOR 153 SYMPHONY HAYDNS LAST 153 GREAT SYMPHONY SCHUBERTS UNFINISHED 153 SYMPHONY* 154 LIGHT 154 AN IMMOVABLE 154 ONE FALSE- 155 THAT YOUNG 155 CAROUSSEL* 155 CHINESE 156 A BLIND-FOLD 156 CHINESE 156 DAOIST 157 CHINESE 157 MIS-UNDER 158 SHE DREAMT 158 THAT WHOLE 158 OFT-BALANC 159 A) THAT GLASS- 159 B) A NEAR- 160 WHAT-COULD- 160 THE INTRICA 161 A TWO-LEVEL 161 SO TEMPTING- 162 ACADEMIC 162 AN EVEN-KEEL CONCERT OF MOZARTS SONATAS K. 576, 570, 282 (2) 163 A) STEADILY A 163 B) K. 282 SLOW 163 GEORG* BENDAS LATER SYMPHONIES (2) 163 A) ROUGH-EDGED 163 B) SLOW MVTS. 164 FOR ERICH 164 UNFINISHED BUSINESS 164 FOR ROSEMARIE 165 SUN-HIGH 165 WHY DO THESE 166 IS THERE A 166 HE FOUGHT 166 AND THEY LIVED 167 AN AGING 167 WHEN LIFE 168 IF ONLY 168 WEINBERG 168 ROSEMARIE 169 THE GLAD 169 IT IS FILL 170 WEINBERG 170 WE CIRCL 170 SLIGHT 171 A. B. 171 ONCE-AGAIN 172 IF (AS WEIN 172 LIGHTS-OUT 172 IN THE SHALL 173 HOMILIUS* 173 DREAMS (7) 174 A) A NIGHT OF 174 B) THE PAST C) DANTE (AT D) FICTIVE E) AWOKE TO A F) IS THE KINO G) IF IT ALL OBJECTS AIRINVISIB SELF-ECHOINGS OUR DOCTOR ANIMALS DID WEINBERG DO WEINBERG FOR SOME DOES WEINBERG* INDECISION AS IF HE ONLY WHEN CAN RELIGION (2) A) OFT ROUTINED B) OR ARE THE WHEN FREEDOM OUT-FIGURING MILKWEED* LOSS SO HER ROOM THE MOON E FOR ROSEMARIE THAT SAME BIRD THEY WALKED SMALL BIRD HE LOWER (FOR THOMAS) CHINESE PAINTING FOR CHUNG OUT OF THE STREET SKELETAL WHEN EACH (2) 188 A) HAD STAKED- 188 B) WHEN THE WAN 188 THESE FINE 189 VERMONT 189 THIS LAND 190 UKRAINE 190 PUSSY-WILLOW 190 IS SLEEP 191 THAT TREE 191 CAN TIME BE 191 A SMALL CERA 192 FOR ROSEMARIE* 192 A GREAT 192 A BIRD AT 193 INDIGENOUS 193 SNAILS 193 ARE CONCLU 194 IF HE 194 EMPTY-HANDED 194 HE FEARED 195 OBJECTS (6) 196 A) DR. SCHIMPF 196 B) A ROOM OF 196 C) HER RAIN- 197 D) THESE NIGHT- 197 E) HILL-HUNG- 197 F HE SUIT- 198 THIS LATE- 198 HE FEARED 199 A BIRD 199 THIS FINE 199 DARKLY ENCOM 200 AN EMPTY 200 A BOTTOM 200 THIS WINDOW 201 WHEN DREAM 201 174 174 175 175 176 176 176 177 177 178 178 179 179 180 180 180 181 181 182 182 182 182 183 183 184 184 184 185 185 185 186 186 186 187 187 187 188 ANCIENT 201 FOR ROSEMARIE 216 FAMILY- 202 SHE SAT IN- 216 WOODPECKER 202 HOW DO 217 A KNOCK-AT- 202 GENEALOGIES (4) 217 BALCONIE 203 A) FATHER 217 THROUGH (5) 203 B) A NATION 218 A) THOSE ESCAP 203 C) SCIENTISTS 218 B) MAN ANIMALL 204 D) RELIGION 218 C) THEY SHOT- 204 OUR HOUSE 219 D) AND THE 204 A) A FINE PAINT 219 E) ONLY THAT 205 B) ONCE-AGAIN 219 THIS SOLEMN 205 C) HISTORY 220 THE LOSS-OF- 205 D) THAT-WAY 220 HALF-PERSONED 206 E) SURPRISED 220 CURTAINED 206 J) DOUBLE-PASS 221 CAN SPORT 207 MOZART VIOLIN THOSE SO- 207 CONCERTI 3 AND 4 221 A DENSE 208 MOZART ADAGIO FOR YOU HAVENT 208 VIOLIN/ORCH. 221 OTHERWISE 208 WEINBERG (2) 222 HE FELT HIM 209 A) WEINBERG* 222 CENTENARY 209 B) FOR WEINBERG 222 AT-THE-END 210 SQUIRRELLED 223 SHE LIVED- 210 TRAIN-DIS 223 FOR NEIL 210 A) DO WE LIVE- 223 POETS PEN 211 B) DO BLOOD- 224 THE POET 211 THESE DARK 224 WITH THE PALE 212 JEWED-EMPT 225 COUNT-YOUR- 212 ON THE TABLE 225 THE COMING- 213 ULM SPIRED 225 WEINBERG 213 TRAINS-TRACK 226 WHEN FOR 214 HER GRANATE 226 WHEN THE 214 FOR ROSEMARIE 226 A) WAS BREUGHEL* 214 NIGHT 227 B) WAS GOYA * 215 TRAIN 227 HE HAD HIS- 215 MILA 227 FAINT I 216 NOTARY- 228 TRAIN COM 228 SQUIRREL* 229 WAS WEINBERG* 229 A) ARE LEAFED- 230 B) VANITAS 230 WEBERN BAGATELLES (FOR STRING QUARTET) 230 BEETHOVEN OP. 18,3 (QUARTET) 231 SCHUMANN OP. 41,1 (3) 231 A) QUARTET 1ST MVT. 231 B) SCHERZO 231 C) SLOW MVT. 232 FROST-NIGHT 232 BIRDS 232 SHE 233 BOOK COVER 233 THIS BRIGHT 233 SELF-HALVED 234 CITY MUSEUM INSTRUMENT COLLECTION (10) 234 A) STRANGE 234 B) CHALCEDON 234 C) HEART-BEAT 235 D) FINELY TIN 235 E) MUSIC-LESSON 235 J) DANCED RHY 235 G) BRASS-INSTRU 236 H) WESTERN 236 I) BIRD-SONG 236 REDISCOVER 237 PERSISTENT 237 WHEN WORK- 238 FOR HELEN 238 CLASSICAL 238 IF ONE- 239 HOWEVER-MUCH 239 FOR GEORGE 240 SAYING-IT- 240 EVEN AS 240 THE SIMPLE 241 THE PLASTIC- 241 WEINBERG* 242 LABYRINTHED 242 WHEN WORDS 242 PERCHED-ON 243 TIMES RUNN (3) 243 A) ING-OUT OF A 243 B) A PAUSE 243 C) A TURN A 243 NEAR-DEATH 244 WHY HAD 244 HAD WEBERN 244 EARLY WEBERN QUARTETS 245 RELAPSE IN 245 THE INNATE 245 A LIFE OF A 246 MARIN MARAIS (3) 246 A) DARKLY SUGG 246 B) AN ALMOST 246 C) SHORTLY-A 247 A WARNING A 247 ULI HOENESS 248 SUCH OVER-CAR 248 HAPPY-ENDING 248 5 CLASSMATES (5) 249 A) L. G. 249 B) DANNY B. 249 C) M. M. 250 D) ROBERT 250 E) DANNY R. 250 ST. FRANCIS (2) 251 A) DID ST. FRAN 251 B) THAT HUNGRI 251 FOR ROSEMARIE 251 BOEING 777 (12) 252 A) DISAPPEARED 252 B) MISSING PER 252 C) LIVED WITH 253 D) HIS MEMORY 253 E) THE LAST SHE 254 SS LAST HEARD 254 G) SPACE EXPLOR 254 H) EVEN AS A 255 I) THOSEFRAIL 255 J) WHEN THE 256 K) ONE READ OF 256 L) HOWEVER-MUCH 257 MARCH 18 2014 257 (7 POEMS FOR ROSEMARIES 76TH BIRTHDAY) (7) 257 A) SUN-SHINE 257 B) AS IF THIS 257 C) FIELDS OF 258 D) WHEN SOUTHER 258 E) SHADOWLESS 258 SS THESE TIME- 259 G) A WORLD-OF- 259 WEBERN 1909 (FOR TONY) 259 IMAGES (12) 260 A) EVER-SO- 260 B) MOMENTARY- 260 C) THE FEEL- 260 D) SOUND-IMPRESS 260 E) SEA-SALT- 261 SS MOOD-SHAD 261 G) WOODED EN 261 H) A CAT 261 I) THE BLOOD 262 J) WHEN THE 262 K) LOVES 262 L) THAT ROSE- 262 HEBRIDES OUVERTUERE (MENDELSSOHN) 263 HIS FACE 263 2ND PIANO CONCERTO (SAINT-SAENS) 264 SCOTTISH SYMPHONY (MENDELSSOHN) (2) 264 A) MOOD-TONALI 264 B) TIMED-LAND 265 ONCE IN THE 265 IF THE END* 266 THIS EARLY- 266 ORCHESTRAL (4) 266 A) OVER-SOUNDS 266 B) CHAMBER 267 C) WALLACE STEVENS* 267 D) IF ONE CAN* 267 THE NIMBLE 268 OVER- 268 A) WALT WHITMAN* 268 B) FOR MY PART 269 C) ONE POEM 269 D) BABBLE 270 HAS NIGHT BE 270 A LONE 271 WINTERED 271 A LONE UN 271 THESE FEEL- 272 FIRST-SENS 272 (AND) IF YOU 272 HE CALLED IT 273 WINDOW-SHELVED 273 THAT-WAY 273 STIGMATIZED 274 WINDOW-SHELV 274 CIRCE-CALLINGS 274 THESE BIRD 275 FIELDS-OF- 275 FIRST-COME 275 ONE CANT 276 BEING-SATIS 276 FOR CASPAR DAVID 111 WHEN A YOUNG 277 HAYDN* 278 CHANGE-OF 278 A BLACK-SK 278 SCHUBERTS LAST QUARTET D 887 (FIRST MVT.) (2) 279 A) IS THAT REAL 219 B) REPETITION 219 SLOW MVT. (2) 279 A) SOULED-BACK 219 B) DRAMATIC 280 DEEP IN (4) 280 A) TO THE TREE 280 B) ITS BRANCH 280 C) ITS LEAF 281 D) (AND YET) 281 LETS JUST 281 FRIENDSHIPS (FOR NEIL) (12) 282 A) IS DRIVING- 282 B) FOR GEORGE OF 282 C) FOR HANS Z. 282 D) FOR INGO 283 E) FOR WARREN 283 FIFOR CHUNG 283 G) FOR THOMAS 284 H)FOR LENORE 284 I) FOR S. L * 284 J) FOR HANI 284 K) FOR MARTIN 285 L) FOR MICHAEL P. 285 THE SHADE 285 SILK DREAM 286 SPITZWEGS 286 WOULD SHAKES 286 SUCH ASTUTE (FOR WARREN) 287 COOL-DROP- 288 JEALOUSY 288 AGING COUPLE 289 BEETHOVEN 289 LEAVELESS 290 THAT EXISTEN 290 OVER-SIZED 290 BLOOD-TEST 291 PASSION-TIME 291 SCHUBERT* (2) 292 A) S A MINOR 292 B) NO REPETIT 292 INVASION 293 SNOW-DOWN 293 LATE WINTER- 293 BOEING 777 294 DOWLAND 294 SPRING 295 THE PACIFICA 295 QUARTET 2 (BRITTEN) 296 FOR CORINNE AND TOM 296 DYINGJUST- 297 GOOD DOCTOR 297 WISHFUL- 297 TOO-NEAR TO 298 CONSIDERING 298 LIGHT-HEART 298 ON MY POETRY 299 AS THEY CUT- 299 THOSE STEADFAST 299 A) PAIN 300 B) NOT 300 C) THE MID-DAY 300 D) BIRDS DISTAN 300 E) HIS HEART 300 SS HAS TIME 301 G) A PAIN SO 301 H) GESUALDO* 301 I) HAYDN S 7 301 HE COULD 302 A) CENTURIES 302 B) HAD JEW- 302 A WINTERS TALE (SHAKESPEARE) (5) 303 A) THE KING OF 303 B) AN IMAGINAT 303 C) CAN ONE REAL 304 D) ONLY THE DENSE- 304 E) ARE BLOOD- 304 BROCKES PASSION (REISER 1712) (5) 305 A) THE SHORTEN 305 B) ARIAS LESS- 305 C) THOSE AL 305 D) BROCKES 305 E) INBETWEEN 306 UNEQUAL MARRIAGE (LEIBL) 306 IF (AS SOME 306 INTIMACIES (10) 307 A) AFTER SHAKESPEARE 307 B) FOR ROSEMARIE 307 C) WHEN HAYDN 308 D) AS A FISHER 308 E) THOSE MOMENT 308 SS WHEN PRAYER 309 G) WHEN MOTHER 309 H) RETURN 309 I) THE PRESUMING 310 J) THE STILL- 310 IF THERE 310 FOR ROSEMARIE 311 PRE-CURSOR 311 VAN GOGH (6) 312 A) STARRY NIGHT (1888) 312 B) THE BRIDGE OF 312 C) THE SOWER (1888) 312 D) SELF PORTRAIT (1887) 313 E) OLIVE TREE (1889) 313 FI WILLOWS AT DAWN 313 GAUGUIN (4) 314 A) GOOD MORNING 314 B) TAHITI IDYLLIC (1901) 314 C) TAHITI PASTORAL (1893) 314 D) LES ALYSCAMPS 315 ORIGINS (10) 315 A) IS COLOR O 315 B) ARE THE LOW- 315 C) WHY HAVE 316 D) EVEN THE 316 E) FIRST FLOWER 316 F) WHY IS THE 317 G) CAN OUR IN 317 H) YOU ASK OF 317 I) TIMELESS 318 J) WIND-SENS 318 SOME PAINTING 318 WHY DO THESE 319 MY FATHER SO 319 WAS IT THE 319 A) UNSPOKEN 320 B) WAS IT HER 320 WAS IT THE 321 THE BLACK-BOX 321 PERSONALITY TYPES (5) 322 A) THE HABITUAL- 322 B) LIKE A PRETT C) THE USUAL SUCK D) HIS FARTHEST E) PINK FELT WISHFUL-THINK A) ELEGIAC SONG (BEETHOVEN OP. 118) B) BRAHMS REQUIEM C) PASSION-TIME D) WAS THE TI E) (LOOKING THE F) HUMANISM G) TO BEGIN A H) AS IFLOVE- TWO SISTERS (2) A) SHE COULDN* B) SHE ALWAYS BLUEBELLS JUST-RIGHT CLASSICAL FOR ROSEMARIE MY FATHER WHEN TIME E WHEN EVEN THOSE SELF- BRAHMS VIOLIN SONATA 1 LAST MVT. ALENA AT 12 PLUS ARON BUTTERFLIED (10) A) ELUSIVE B) THE CALL OF C) A MOMENTARY D) SLOW-START E) AS IF WORD SS CITY-HEIGHT G) THE TRAIN H) FOR ROSEMARIE 334 I) THAT ROOF- 334 J) THESE FLOW 334 OPPORTUNE 334 THE FIRST 335 FOR ROSEMARIE (10) 335 A) WHY NEED OF 335 B) WORLDS OF UN 336 C) INGE (AS 336 D) NOT EVEN 337 E) A KISS THAT 337 SS WE SEEM TO 337 G) THESE EVER- 338 H) LOVE-POEM 338 I) A WORLD WITH 338 J) YOUR INDWELL 339 K) EVEN BRAHMS 339 L) WHEREAS HAYDN . 340 MAINLY EARLY-SENSED REMEMBRANCES (10) 340 A) REMEMBER 340 B) IS IT PER 341 C) THAT SELF-EN 341 D) NEIVS HOUSE 341 E) VIRGIL THOMP 342 SS FIRST GRADE 342 G) MY THIRD- 342 H) SUMMER 343 I) I MAY HAVE 343 SS THE CLOSE 343 SLOW INTRODUCTIONS (HAYDN) 344 VIOLIN CONCERTO (MENDELSSOHN) 344 NIELSEN* 345 THE IMMENSING (FOR TONY) 345 322 322 323 323 323 324 324 324 324 325 325 326 326 326 327 327 327 327 328 328 328 329 329 330 330 330 331 331 332 332 332 332 333 333 333 333 CAN ONE CALL 345 AFTER CHARLES A) WAS THE 346 EDWARD IVES 360 B) IF A DEPTHED- 346 OP. 96 360 C) FEW CAN REAL 347 PLEASE 361 D) IF THERE 347 BRAHMS 3RD QUARTET MARKED 348 OP. 67 LAST MVT. 361 IS JEALOUSY 348 KURTAG QUARTET OP. 28 362 SEEKING REFUGE 349 BEETHOVEN QUARTET HER PUDGY-FUDGE 349 OP. 131 (3) 362 CHARACTERS (9) 349 A) 1ST MVT. 362 A) FAR-OFF 349 B) SOME-TIMED 362 B) MISS BARTLETT 350 C) (BUT THEN) 362 C) HE BET HIS 350 HE INSIST 363 D) AS A POETIC 351 GAUGUIN 363 E) MR. WITHERS 351 FOR ROSEMARIE (3) 363 F) IF HE COULD 352 A) CAN TASTE BE 363 H) TWEEDED-ONE- 352 B) THEFIRST-OF- 364 COULD-SAY 352 C) WORDSWORTHIAN 364 I) THOSE ROMANTIC 353 ARE THE ROCKE 364 J) OUR SCHOOL- 353 A) MY FATHER 365 EPISODIC (4) 354 B) INSPIRAT 365 A) MR. TEW OUR 354 NATHANIEL PINK (9) 365 B) MISS REID* 354 A) PLANNED SO- 365 C) MY SECOND 355 B) MULTI-COLOR 366 D) ARMED 355 C) PINK (AN HAB 366 IT COOLED 356 D) ALWAYS A SELF- 367 WHEN THE RI 356 E) ALMOST MATT 367 WHY EXPECT 356 F) PINK 368 DOES THAT 357 G) THEY PRE-MARK 368 IS THE VAST 357 H) PINK OFT 369 ONLY AT THE 358 I) P. S. 369 CAN LOVE-AT- 358 SPRING 370 SHE WANTED- 358 HUMOR (3) 370 DO STILL- 359 A) IS HUMOR 370 CASPAR DAVID 359 B) FROGGED 371 SHE LEFT (BE 359 C) JEWISH-HUMOR 371 WHY DID 360 POEMED (15) 372 A) EXPLAIN B) WRITING OUT- C) ATTUNED TO D) MOMENT E) PERSON SS AS IF COLOR G) NO NEED OF H) BEGGAR I) MOUNTAIN J) WHAT WEVE K) THE BEAUTY L) SQUIRREL M) WHY HAVE N) THE SUN O) SOME EXOTIC 3 POEMS ON PAINTINGS OF WANG MIAN 14TH C. (FOR NEIL) (3) A) COUNTRY HOMES BY ZHUCHU B) PLUME BLOSSOMS BRANCHES (1355) C) STRAW-COVERED HOUSES ON MT. TAI INDECISION* A) SEESAW B) MACKE* C) IT SEEMED D) THE USUALLY- E) HE ADVISED F) THAT TIME-AP G) TO BE OR HE COULD AL THE DISTANT A) THE SLOWLY B) SHE NEEDED C) THOSE TOTAL WEARING MY 381 TWO ROADS... (9) 382 A) SOME ROUTE 382 B) IF WE DON* 382 C) SHE WAS 383 D) JUDAS 383 E) FREE-WILL 384 SS THE LOW- 384 G) THAT ST. PETER* 384 H) COULD THE 385 I) TRUE FAITH 385 POETRY BOOKS BY DAVID JAFFM 387 372 312 312 312 313 313 313 313 314 314 374 374 375 375 375 376 376 376 316 376 316 316 377 377 377 378 378 378 379 379 379 380 380 380 381
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author	Jaffin, David 1937-2024
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id	DE-604.BV043849426
illustrated	Not Illustrated
indexdate	2024-12-20T17:46:45Z
institution	BVB
isbn	9781848614000
language	English
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-029259777
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physical	391 Seiten
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spellingShingle	Jaffin, David 1937-2024 Soundless impressions poems
title	Soundless impressions poems
title_auth	Soundless impressions poems
title_exact_search	Soundless impressions poems
title_full	Soundless impressions poems David Jaffin
title_fullStr	Soundless impressions poems David Jaffin
title_full_unstemmed	Soundless impressions poems David Jaffin
title_short	Soundless impressions
title_sort	soundless impressions poems
title_sub	poems
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029259777&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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