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Datensatz im Suchindex
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|---|---|
| adam_text |
CONTENTS
List of Figures vi
Notes on Contributors ix
Series Preface xii
Introduction 1
Richard Sherwin and Danielle Celermajer
1 Justice: Klimt’s Jurisprudence—Sovereign Violence and the Rule of Law 27
Desmond Manderson
2 Constitution: Performance Evidence in Aboriginal Land Claims 47
Craig Elliott
3 Codes: Judging the Rwandan Soundscape 69
James E.K. Parker
4 Agreements: Truth, Politics, and the Value of Performing Impersonations 87
Diana Taylor
5 Arguments: Should Videos of Trees Have Standing?
An Inquiry into the Legal Rites of Unnatural Objects at the ICTY 99
Susan Schuppli
6 Property and Possession: On the Illegality of Situational Art 129
Alison Young
7 Wrongs: A Conversation with Filmmaker Joshua Oppenheimer 145
Richard Sherwin, Joshua Oppenheimer, and Danielle Celermajer
8 Legal Profession: Beaten Black and Blue—Lessons from Watching
the Rodney King Case 169
Christian Delage
Notes 186
Bibliography 202
Index 227
The period since the First World War has been a century distinguished by the loss of any unitary foundation for truth, ethics, and the legitimate authority oflaw.With the emergence of radical pluralism, law has become the site of extraordinary creativity and, on occasion, a source of rights for those historically excluded from its protection. A Cultural History of Law in the Modern Age tells stories of human struggles in the face of state authority—including Aboriginal land claims, popular resistance to corporate power, and the inter-generational ramifications of genocidal state violence. The essays address how, and with what effects, different expressive modes (ceremonial dance, live street theater, the acoustics of radio, the affective range of film, to name a few) help to construct, memorialize, and disseminate political and legal meaning. Drawing upon a wealth of visual, textual and sound sources, A Cultural History of Law in the Modern Age presents essays that examine key cultural case studies of the period on the themes of justice, constitution, codes, agreements, arguments, property and possession, wrongs, and the legal profession.
The period since the First World War has been a century distinguished by the loss of any unitary foundation for truth, ethics, and the legitimate authority oflaw.With the emergence of radical pluralism, law has become the site of extraordinary creativity and, on occasion, a source of rights for those historically excluded from its protection. A Cultural History of Law in the Modern Age tells stories of human struggles in the face of state authority—including Aboriginal land claims, popular resistance to corporate power, and the inter-generational ramifications of genocidal state violence. The essays address how, and with what effects, different expressive modes (ceremonial dance, live street theater, the acoustics of radio, the affective range of film, to name a few) help to construct, memorialize, and disseminate political and legal meaning. Drawing upon a wealth of visual, textual and sound sources, A Cultural History of Law in the Modern Age presents essays that examine key cultural case studies of the period on the themes of justice, constitution, codes, agreements, arguments, property and possession, wrongs, and the legal profession. |
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| era | Geschichte 1920- gnd Geschichte 1920-2019 gnd |
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| title_full | A cultural history of law in the Modern Age edited by Richard K. Sherwin and Danielle Celermajer |
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