Gespeichert in:
| Titel: | Film and Political Culture in Postwar Japan |
|---|---|
| Von: |
Michael H. Gibbs
|
| Person: |
Gibbs, Michael H.
1947- Verfasser aut |
| Hauptverfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
New York
Peter Lang Inc., International Academic Publishers
2012
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | https://www.peterlang.com/view/product/29672?format=EPDF https://www.peterlang.com/view/product/29672?format=EPDF https://www.peterlang.com/view/product/29672?format=EPDF |
| Beschreibung: | Online resource; title from title screen (viewed June 27, 2019) |
| Beschreibung: | 1 Online-Ressource (178 Seiten) |
| ISBN: | 9781453902561 |
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| 505 | 8 | |a This study of Japanese political culture from c. 1940 to 2009 challenges standard periodizations of «postwar» Japan, arguing that the postwar period began, much later than previously argued, when a culture of pacifism developed. We can see evidence of this in feature films from the era and in the activities of groups involved in film promotion and criticism. Film and Political Culture in Postwar Japan asks us to take Japanese pacifism seriously and not assume that it is merely a passing phenomenon. This study of the political left questions previous assumptions about such marginalization after the Red Purges of 1950 and the sectarian infighting of the 1960s. Michael H. Gibbs provokes the reader to look beyond the standard «national» parameters of Japanese culture, to examine the role of other states in fomenting war during the 1940s-1970s and in keeping the subsequent peace. In addition, he challenges the neglect of mainstream Japanese film criticism in English-language scholarship, focusing on many filmmakers seen as important in Japanese film culture but relatively little discussed in the west. Gibbs sets the canon of Great Japanese Directors to one side and focuses on the work of Kinoshita, Yamamoto, Masumura, Kuroki, Yamada, Higashi, Negishi, Sakamoto, and Nishikawa. Scholars and students of Japanese and East Asian history, film, war and peace studies, and comparative and world history should find this volume of great interest | |
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Datensatz im Suchindex
| _version_ | 1818987489278296064 |
|---|---|
| any_adam_object | |
| author | Gibbs, Michael H. 1947- |
| author_GND | (DE-588)1028919301 |
| author_facet | Gibbs, Michael H. 1947- |
| author_role | aut |
| author_sort | Gibbs, Michael H. 1947- |
| author_variant | m h g mh mhg |
| building | Verbundindex |
| bvnumber | BV047020256 |
| classification_rvk | AP 44963 |
| collection | ZDB-114-LAC |
| contents | This study of Japanese political culture from c. 1940 to 2009 challenges standard periodizations of «postwar» Japan, arguing that the postwar period began, much later than previously argued, when a culture of pacifism developed. We can see evidence of this in feature films from the era and in the activities of groups involved in film promotion and criticism. Film and Political Culture in Postwar Japan asks us to take Japanese pacifism seriously and not assume that it is merely a passing phenomenon. This study of the political left questions previous assumptions about such marginalization after the Red Purges of 1950 and the sectarian infighting of the 1960s. Michael H. Gibbs provokes the reader to look beyond the standard «national» parameters of Japanese culture, to examine the role of other states in fomenting war during the 1940s-1970s and in keeping the subsequent peace. In addition, he challenges the neglect of mainstream Japanese film criticism in English-language scholarship, focusing on many filmmakers seen as important in Japanese film culture but relatively little discussed in the west. Gibbs sets the canon of Great Japanese Directors to one side and focuses on the work of Kinoshita, Yamamoto, Masumura, Kuroki, Yamada, Higashi, Negishi, Sakamoto, and Nishikawa. Scholars and students of Japanese and East Asian history, film, war and peace studies, and comparative and world history should find this volume of great interest |
| ctrlnum | (ZDB-114-LAC)9781453902561 (OCoLC)1224015719 (DE-599)BVBBV047020256 |
| discipline | Allgemeines |
| edition | 1st, New ed |
| era | Geschichte 1940-2009 gnd |
| era_facet | Geschichte 1940-2009 |
| format | Electronic eBook |
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| geographic | Japan (DE-588)4028495-5 gnd |
| geographic_facet | Japan |
| id | DE-604.BV047020256 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T19:07:30Z |
| institution | BVB |
| isbn | 9781453902561 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032427739 |
| oclc_num | 1224015719 |
| open_access_boolean | |
| owner | DE-29 DE-12 DE-11 |
| owner_facet | DE-29 DE-12 DE-11 |
| physical | 1 Online-Ressource (178 Seiten) |
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| publishDate | 2012 |
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| publisher | Peter Lang Inc., International Academic Publishers |
| record_format | marc |
| spelling | Gibbs, Michael H. 1947- Verfasser (DE-588)1028919301 aut Film and Political Culture in Postwar Japan Michael H. Gibbs 1st, New ed New York Peter Lang Inc., International Academic Publishers 2012 1 Online-Ressource (178 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 27, 2019) This study of Japanese political culture from c. 1940 to 2009 challenges standard periodizations of «postwar» Japan, arguing that the postwar period began, much later than previously argued, when a culture of pacifism developed. We can see evidence of this in feature films from the era and in the activities of groups involved in film promotion and criticism. Film and Political Culture in Postwar Japan asks us to take Japanese pacifism seriously and not assume that it is merely a passing phenomenon. This study of the political left questions previous assumptions about such marginalization after the Red Purges of 1950 and the sectarian infighting of the 1960s. Michael H. Gibbs provokes the reader to look beyond the standard «national» parameters of Japanese culture, to examine the role of other states in fomenting war during the 1940s-1970s and in keeping the subsequent peace. In addition, he challenges the neglect of mainstream Japanese film criticism in English-language scholarship, focusing on many filmmakers seen as important in Japanese film culture but relatively little discussed in the west. Gibbs sets the canon of Great Japanese Directors to one side and focuses on the work of Kinoshita, Yamamoto, Masumura, Kuroki, Yamada, Higashi, Negishi, Sakamoto, and Nishikawa. Scholars and students of Japanese and East Asian history, film, war and peace studies, and comparative and world history should find this volume of great interest Geschichte 1940-2009 gnd rswk-swf Politische Kultur (DE-588)4046540-8 gnd rswk-swf Politik Motiv (DE-588)4202544-8 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Japan (DE-588)4028495-5 gnd rswk-swf Japan (DE-588)4028495-5 g Film (DE-588)4017102-4 s Politische Kultur (DE-588)4046540-8 s Geschichte 1940-2009 z DE-604 Politik Motiv (DE-588)4202544-8 s Erscheint auch als Druck-Ausgabe 9781433117671 https://www.peterlang.com/view/product/29672?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Gibbs, Michael H. 1947- Film and Political Culture in Postwar Japan This study of Japanese political culture from c. 1940 to 2009 challenges standard periodizations of «postwar» Japan, arguing that the postwar period began, much later than previously argued, when a culture of pacifism developed. We can see evidence of this in feature films from the era and in the activities of groups involved in film promotion and criticism. Film and Political Culture in Postwar Japan asks us to take Japanese pacifism seriously and not assume that it is merely a passing phenomenon. This study of the political left questions previous assumptions about such marginalization after the Red Purges of 1950 and the sectarian infighting of the 1960s. Michael H. Gibbs provokes the reader to look beyond the standard «national» parameters of Japanese culture, to examine the role of other states in fomenting war during the 1940s-1970s and in keeping the subsequent peace. In addition, he challenges the neglect of mainstream Japanese film criticism in English-language scholarship, focusing on many filmmakers seen as important in Japanese film culture but relatively little discussed in the west. Gibbs sets the canon of Great Japanese Directors to one side and focuses on the work of Kinoshita, Yamamoto, Masumura, Kuroki, Yamada, Higashi, Negishi, Sakamoto, and Nishikawa. Scholars and students of Japanese and East Asian history, film, war and peace studies, and comparative and world history should find this volume of great interest Politische Kultur (DE-588)4046540-8 gnd Politik Motiv (DE-588)4202544-8 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4046540-8 (DE-588)4202544-8 (DE-588)4017102-4 (DE-588)4028495-5 |
| title | Film and Political Culture in Postwar Japan |
| title_auth | Film and Political Culture in Postwar Japan |
| title_exact_search | Film and Political Culture in Postwar Japan |
| title_full | Film and Political Culture in Postwar Japan Michael H. Gibbs |
| title_fullStr | Film and Political Culture in Postwar Japan Michael H. Gibbs |
| title_full_unstemmed | Film and Political Culture in Postwar Japan Michael H. Gibbs |
| title_short | Film and Political Culture in Postwar Japan |
| title_sort | film and political culture in postwar japan |
| topic | Politische Kultur (DE-588)4046540-8 gnd Politik Motiv (DE-588)4202544-8 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Politische Kultur Politik Motiv Film Japan |
| url | https://www.peterlang.com/view/product/29672?format=EPDF |
| work_keys_str_mv | AT gibbsmichaelh filmandpoliticalcultureinpostwarjapan |