Saved in:
Title: | Storm cloud picturing the origins of our climate crisis |
---|---|
From: |
edited by Melinda McCurdy and Karla Nielsen
|
Person: |
McCurdy, Melinda
Nielsen, Karla |
Other Authors: | , |
Format: | Book |
Language: | English |
Published: |
New Haven
Yale University Press
[2024]
San Marino, California The Huntington Library, Art Museum, and Botanical Gardens |
Subjects: | |
Abstract: | ""Storm Cloud" analyzes the impact of industrialization and a globalized economy on everyday life from 1780 to 1930, as charted by scientists, artists, and writers, and contextualizes the current climate crisis within this historical framework. "Storm Cloud: Picturing the Origins of Our Climate Crisis" traces the rise of environmental awareness in the 19th century--an age of rapid industrialization in the English-speaking world as well as a period in which the sciences of geology, paleontology, meteorology, and ecology developed. A revealing exploration of how prescient nineteenth-century artists, writers, and scientists began to sound the alarm on climate crisis. The title comes from a lecture by the writer and art critic John Ruskin, in which he described the changing appearance of the sky due to industrial pollution. British and American visual and literary artworks by the Romantics, the Pre-Raphaelites, and members of the Arts and Crafts movement are displayed alongside key scientific texts and images, as well as works by early 20th-century preservationists John Muir and Mary Hunter Austin. The exhibition also documents water use and oil extraction in the Los Angeles region in the early 20th century. Through nearly 200 items drawn from The Huntington's collections and on loan from collections in the United States and Britain, "Storm Cloud" places our current climate crisis in its historical context, examining the profound changes that industrialization and a globalized economy have wrought on everyday life, as charted by scientists, artists, and writers for over 150 years. The questions and issues addressed in the historical material are brought to the present with the inclusion of works by five contemporary artists: Binh Danh, Rebeca Méndez, Jamilah Sabur, Leah Sobsey, and Will Wilson."--The Huntington Library, Art Museum, and Botanical Gardens website." "Against a backdrop of industrialization and scientific development that reshaped humanity's relationship to the planet, nineteenth-century artists and writers began to express a novel perception of humanity's place in, and impact on, the natural world. This essential volume traces, in art and literature, the growing understanding of the industrial world's effect on the environment. It features works from both sides of the Atlantic, including paintings, photographs, scientific illustrations, and books by Mary Hunter Austin, Frederic Edwin Church, Thomas Cole, John Constable, Henry David Thoreau, and Carleton Watkins. These are discussed by experts, including artists, art and literary historians, scientists, environmental activists, and representatives of Indigenous knowledge. Examining a nascent environmental awareness through the intersection of art and science, contributors highlight this intertwined historical dialogue and what it can tell us about today's climate crisis. The title references lectures by the Victorian writer John Ruskin, in which he described how decades of observing the English skies led him to conclude that his own age had created a disturbing "storm-cloud"-smog caused by burning coal. Though he wouldn't have understood it in this way, his lectures became one of the earliest published considerations of human-caused climate change." |
Item Description: | Impressum: Published on the occasion of the exhibition "Storm Cloud: Picturing the Origins of Our Climate Crisis", organized by The Huntington Library, Art Museum, and Botanical Gardens, September 14, 2024 - January 6, 2025 |
Physical Description: | vii, 165 Seiten 29 cm |
ISBN: | 9780300276145 |
Staff View
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500 | |a Impressum: Published on the occasion of the exhibition "Storm Cloud: Picturing the Origins of Our Climate Crisis", organized by The Huntington Library, Art Museum, and Botanical Gardens, September 14, 2024 - January 6, 2025 | ||
520 | 3 | |a ""Storm Cloud" analyzes the impact of industrialization and a globalized economy on everyday life from 1780 to 1930, as charted by scientists, artists, and writers, and contextualizes the current climate crisis within this historical framework. "Storm Cloud: Picturing the Origins of Our Climate Crisis" traces the rise of environmental awareness in the 19th century--an age of rapid industrialization in the English-speaking world as well as a period in which the sciences of geology, paleontology, meteorology, and ecology developed. A revealing exploration of how prescient nineteenth-century artists, writers, and scientists began to sound the alarm on climate crisis. The title comes from a lecture by the writer and art critic John Ruskin, in which he described the changing appearance of the sky due to industrial pollution. British and American visual and literary artworks by the Romantics, the Pre-Raphaelites, and members of the Arts and Crafts movement are displayed alongside key scientific texts and images, as well as works by early 20th-century preservationists John Muir and Mary Hunter Austin. The exhibition also documents water use and oil extraction in the Los Angeles region in the early 20th century. Through nearly 200 items drawn from The Huntington's collections and on loan from collections in the United States and Britain, "Storm Cloud" places our current climate crisis in its historical context, examining the profound changes that industrialization and a globalized economy have wrought on everyday life, as charted by scientists, artists, and writers for over 150 years. The questions and issues addressed in the historical material are brought to the present with the inclusion of works by five contemporary artists: Binh Danh, Rebeca Méndez, Jamilah Sabur, Leah Sobsey, and Will Wilson."--The Huntington Library, Art Museum, and Botanical Gardens website." | |
520 | 3 | |a "Against a backdrop of industrialization and scientific development that reshaped humanity's relationship to the planet, nineteenth-century artists and writers began to express a novel perception of humanity's place in, and impact on, the natural world. This essential volume traces, in art and literature, the growing understanding of the industrial world's effect on the environment. It features works from both sides of the Atlantic, including paintings, photographs, scientific illustrations, and books by Mary Hunter Austin, Frederic Edwin Church, Thomas Cole, John Constable, Henry David Thoreau, and Carleton Watkins. These are discussed by experts, including artists, art and literary historians, scientists, environmental activists, and representatives of Indigenous knowledge. Examining a nascent environmental awareness through the intersection of art and science, contributors highlight this intertwined historical dialogue and what it can tell us about today's climate crisis. The title references lectures by the Victorian writer John Ruskin, in which he described how decades of observing the English skies led him to conclude that his own age had created a disturbing "storm-cloud"-smog caused by burning coal. Though he wouldn't have understood it in this way, his lectures became one of the earliest published considerations of human-caused climate change." | |
653 | 0 | |a Climatic changes in art / Exhibitions | |
653 | 0 | |a Climatic changes in literature / Exhibitions | |
653 | 0 | |a Ecology in art / Exhibitions | |
653 | 0 | |a Ecology in literature / Exhibitions | |
653 | 0 | |a Art, Modern / 19th century / Themes, motives / Exhibitions | |
653 | 0 | |a Art, Modern / 20th century / Themes, motives / Exhibitions | |
653 | 0 | |a Art, Modern / 21st century / Themes, motives / Exhibitions | |
653 | 0 | |a Literature, Modern / 19th century / Themes, motives / Exhibitions | |
653 | 0 | |a Literature, Modern / 20th century / Themes, motives / Exhibitions | |
653 | 0 | |a Nature (Aesthetics) / Exhibitions | |
653 | 0 | |a Climat / Changements, dans l'art / Expositions | |
653 | 0 | |a Art / 21e siècle / Expositions | |
653 | 0 | |a Art / 20e siècle / Thèmes, motifs / Expositions | |
653 | 0 | |a Art / 21e siècle / Thèmes, motifs / Expositions | |
653 | 0 | |a Nature (Esthétique) / Expositions | |
655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Henry E. Huntington Library and Art Gallery |y 14.09.2024-06.01.2025 |z San Marino, Calif. |2 gnd-content | |
700 | 1 | |a McCurdy, Melinda |0 (DE-588)1110074174 |4 edt | |
700 | 1 | |a Nielsen, Karla |4 edt | |
710 | 2 | |a Henry E. Huntington Library and Art Gallery |0 (DE-588)1006046-7 |4 isb |4 his | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035258546 |
Record in the Search Index
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---|---|
adam_text | |
any_adam_object | |
author2 | McCurdy, Melinda Nielsen, Karla |
author2_role | edt edt |
author2_variant | m m mm k n kn |
author_GND | (DE-588)1110074174 |
author_additional | Sandra Brooke Gordon and Christina Nielsen Melinda McCurdy and Karla Nielsen Nicholas Robbins Kristen Case Jan Zalasiewicz Gillian Osborne M Jackson Karen Lloyd Rachel Storer Veront M. Satchell Suzanne Pierre Dennis Carr Richard Primack Kim Stanley Robinson Alan Barock Nicole Cavender Kristen Anthony Jonathan S. Blake Rebeca Méndez |
author_facet | McCurdy, Melinda Nielsen, Karla |
building | Verbundindex |
bvnumber | BV049919938 |
contents | Directors' foreword Seeing through the storm cloud Forms of water : infrastructure and improvement in the ninteenth century "They fetch the year about me" : Thoreau's ways of knowing Patterns of strata Imagining distorted scale : learning from the Hitchcocks Hoping for John Brett's Glacier of Rosenlaui Viewing stations in the English Lake District Skying The Hope Lands, Saint Andrew Parish, Jamaica, in 1826 : an agent of climate change There is no painting over a colonized ecosystem Thomas Cole's Portage Falls on the Genesee Thoreau speaks to us about climate change John Muir in 2024 A paya (water) society Awakening to the Anthropocene : understanding soil, a critical resource The promise of smoke The unlovely forests of Los Angeles The storm-cloud of the twenty-first century |
ctrlnum | (OCoLC)1483999942 (DE-599)BVBBV049919938 |
format | Book |
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genre_facet | Ausstellungskatalog Henry E. Huntington Library and Art Gallery 14.09.2024-06.01.2025 San Marino, Calif. |
id | DE-604.BV049919938 |
illustrated | Not Illustrated |
indexdate | 2025-06-20T18:00:10Z |
institution | BVB |
institution_GND | (DE-588)1006046-7 |
isbn | 9780300276145 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035258546 |
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physical | vii, 165 Seiten 29 cm |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | Yale University Press The Huntington Library, Art Museum, and Botanical Gardens |
record_format | marc |
spelling | Storm cloud picturing the origins of our climate crisis edited by Melinda McCurdy and Karla Nielsen New Haven Yale University Press [2024] San Marino, California The Huntington Library, Art Museum, and Botanical Gardens vii, 165 Seiten 29 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Impressum: Published on the occasion of the exhibition "Storm Cloud: Picturing the Origins of Our Climate Crisis", organized by The Huntington Library, Art Museum, and Botanical Gardens, September 14, 2024 - January 6, 2025 ""Storm Cloud" analyzes the impact of industrialization and a globalized economy on everyday life from 1780 to 1930, as charted by scientists, artists, and writers, and contextualizes the current climate crisis within this historical framework. "Storm Cloud: Picturing the Origins of Our Climate Crisis" traces the rise of environmental awareness in the 19th century--an age of rapid industrialization in the English-speaking world as well as a period in which the sciences of geology, paleontology, meteorology, and ecology developed. A revealing exploration of how prescient nineteenth-century artists, writers, and scientists began to sound the alarm on climate crisis. The title comes from a lecture by the writer and art critic John Ruskin, in which he described the changing appearance of the sky due to industrial pollution. British and American visual and literary artworks by the Romantics, the Pre-Raphaelites, and members of the Arts and Crafts movement are displayed alongside key scientific texts and images, as well as works by early 20th-century preservationists John Muir and Mary Hunter Austin. The exhibition also documents water use and oil extraction in the Los Angeles region in the early 20th century. Through nearly 200 items drawn from The Huntington's collections and on loan from collections in the United States and Britain, "Storm Cloud" places our current climate crisis in its historical context, examining the profound changes that industrialization and a globalized economy have wrought on everyday life, as charted by scientists, artists, and writers for over 150 years. The questions and issues addressed in the historical material are brought to the present with the inclusion of works by five contemporary artists: Binh Danh, Rebeca Méndez, Jamilah Sabur, Leah Sobsey, and Will Wilson."--The Huntington Library, Art Museum, and Botanical Gardens website." "Against a backdrop of industrialization and scientific development that reshaped humanity's relationship to the planet, nineteenth-century artists and writers began to express a novel perception of humanity's place in, and impact on, the natural world. This essential volume traces, in art and literature, the growing understanding of the industrial world's effect on the environment. It features works from both sides of the Atlantic, including paintings, photographs, scientific illustrations, and books by Mary Hunter Austin, Frederic Edwin Church, Thomas Cole, John Constable, Henry David Thoreau, and Carleton Watkins. These are discussed by experts, including artists, art and literary historians, scientists, environmental activists, and representatives of Indigenous knowledge. Examining a nascent environmental awareness through the intersection of art and science, contributors highlight this intertwined historical dialogue and what it can tell us about today's climate crisis. The title references lectures by the Victorian writer John Ruskin, in which he described how decades of observing the English skies led him to conclude that his own age had created a disturbing "storm-cloud"-smog caused by burning coal. Though he wouldn't have understood it in this way, his lectures became one of the earliest published considerations of human-caused climate change." Climatic changes in art / Exhibitions Climatic changes in literature / Exhibitions Ecology in art / Exhibitions Ecology in literature / Exhibitions Art, Modern / 19th century / Themes, motives / Exhibitions Art, Modern / 20th century / Themes, motives / Exhibitions Art, Modern / 21st century / Themes, motives / Exhibitions Literature, Modern / 19th century / Themes, motives / Exhibitions Literature, Modern / 20th century / Themes, motives / Exhibitions Nature (Aesthetics) / Exhibitions Climat / Changements, dans l'art / Expositions Art / 21e siècle / Expositions Art / 20e siècle / Thèmes, motifs / Expositions Art / 21e siècle / Thèmes, motifs / Expositions Nature (Esthétique) / Expositions (DE-588)4135467-9 Ausstellungskatalog Henry E. Huntington Library and Art Gallery 14.09.2024-06.01.2025 San Marino, Calif. gnd-content McCurdy, Melinda (DE-588)1110074174 edt Nielsen, Karla edt Henry E. Huntington Library and Art Gallery (DE-588)1006046-7 isb his |
spellingShingle | Storm cloud picturing the origins of our climate crisis Directors' foreword Seeing through the storm cloud Forms of water : infrastructure and improvement in the ninteenth century "They fetch the year about me" : Thoreau's ways of knowing Patterns of strata Imagining distorted scale : learning from the Hitchcocks Hoping for John Brett's Glacier of Rosenlaui Viewing stations in the English Lake District Skying The Hope Lands, Saint Andrew Parish, Jamaica, in 1826 : an agent of climate change There is no painting over a colonized ecosystem Thomas Cole's Portage Falls on the Genesee Thoreau speaks to us about climate change John Muir in 2024 A paya (water) society Awakening to the Anthropocene : understanding soil, a critical resource The promise of smoke The unlovely forests of Los Angeles The storm-cloud of the twenty-first century |
subject_GND | (DE-588)4135467-9 |
title | Storm cloud picturing the origins of our climate crisis |
title_alt | Directors' foreword Seeing through the storm cloud Forms of water : infrastructure and improvement in the ninteenth century "They fetch the year about me" : Thoreau's ways of knowing Patterns of strata Imagining distorted scale : learning from the Hitchcocks Hoping for John Brett's Glacier of Rosenlaui Viewing stations in the English Lake District Skying The Hope Lands, Saint Andrew Parish, Jamaica, in 1826 : an agent of climate change There is no painting over a colonized ecosystem Thomas Cole's Portage Falls on the Genesee Thoreau speaks to us about climate change John Muir in 2024 A paya (water) society Awakening to the Anthropocene : understanding soil, a critical resource The promise of smoke The unlovely forests of Los Angeles The storm-cloud of the twenty-first century |
title_auth | Storm cloud picturing the origins of our climate crisis |
title_exact_search | Storm cloud picturing the origins of our climate crisis |
title_full | Storm cloud picturing the origins of our climate crisis edited by Melinda McCurdy and Karla Nielsen |
title_fullStr | Storm cloud picturing the origins of our climate crisis edited by Melinda McCurdy and Karla Nielsen |
title_full_unstemmed | Storm cloud picturing the origins of our climate crisis edited by Melinda McCurdy and Karla Nielsen |
title_short | Storm cloud |
title_sort | storm cloud picturing the origins of our climate crisis |
title_sub | picturing the origins of our climate crisis |
topic_facet | Ausstellungskatalog Henry E. Huntington Library and Art Gallery 14.09.2024-06.01.2025 San Marino, Calif. |
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